Common use of Rights of use Clause in Contracts

Rights of use. 5.1 The customer only acquires the rights to use the images for the scope de- fined in the agreement. No ownership rights are transferred. Irrespective of the scope of the rights of use conferred in individual cases, the photographer remains entitled to use the images within the framework of his own advertis- ing. 5.2 The written consent of the photographer is required prior to conferring and transferring to third parties, including the editors of a publishing house, the rights of use acquired by the customer. 5.3 In principle, only the original version of the image may be used. The consent of the photographer is required prior to any re-working (e.g. montage, alien- ation using photographic techniques, colouring) and each and any change in the reproduction of the image (e.g. publication of excerpts). The only excep- tion to this is eliminating any undesired lack of focus or colour weaknesses by electronic retouching. 5.4 The photographer must be named as the creator of the image in every publi- cation thereof. The name must be indicated with the image.

Rights of use. 5.1 The customer only acquires the rights to use the images for the scope de- fined defined in the agreement. No ownership rights are transferred. Irrespective of the scope of the rights of use conferred in individual cases, the photographer remains entitled to use the images within the framework of his own advertis- ingadvertising. 5.2 The written consent of the photographer is required prior to conferring and transferring to third parties, including the editors of a publishing house, the rights of use acquired by the customer. 5.3 In principle, only the original version of the image may be used. The consent of the photographer pho- tographer is required prior to any re-working (e.g. montage, alien- ation alienation using photographic photograph- ic techniques, colouring) and each and any change in the reproduction of the image (e.g. publication of excerpts). The only excep- tion exception to this is eliminating any undesired lack of focus or colour weaknesses by electronic retouching. 5.4 The photographer must be named as the creator of the image in every publi- cation thereofpublication there- of. The name must be indicated with the image.

Rights of use. 5.1 The customer only acquires the rights to use the images for the scope de- fined de-­‐fined in the agreement. No ownership rights are transferred. Irrespective of the scope of the rights of use conferred in individual cases, the photographer remains entitled to use the images within the framework of his own advertis- ingadvertising. 5.2 The written consent of the photographer is required prior to conferring and transferring to third parties, including the editors of a publishing house, the rights of use acquired by the customer. 5.3 In principle, only the original version of the image may be used. The consent of the photographer is required prior to any re-working re-­‐working (e.g. montage, alien- ation alienation using photographic techniques, colouring) and each and any change in the reproduction of the image (e.g. publication of excerpts). The only excep- tion exception to this is eliminating any undesired lack of focus or colour weaknesses by electronic retouching. 5.4 The photographer must be named as the creator of the image in every publi- cation publication thereof. The name must be indicated with the image.