Patch Sessions. 1. A patch session of up to two (2) hours may be held after a live performance of the program being recorded and will be paid in 15-minute increments. For the first thirty
Patch Sessions. 1. In the event the Employer requires a Musician to remain following the conclusion of a live service at which audio-visual material is captured for the purpose of re-taping a portion or portions, that Musician shall receive overtime pay, pro-rated in 15-minute increments, at time and one-half the Special Call rate, computed from the time that the performance ends. Within ten (10) minutes after the Concertmaster has left the stage, the Employer shall advise the Musicians whether a patch session shall take place and, if so, the proposed length of that patch session. In the event that a patch session is called, the Musicians shall be guaranteed such overtime pay for the time periods as follows:
Patch Sessions. Shall only take place by mutual consent with the relevant performer group(s) involved.
Patch Sessions. 6.5.1 A patch session of up to one (1) hour may be held after a live performance of the program being recorded and will be paid in 15-minute increments. For the first thirty (30) minutes, a patch session will be paid at the lesser of the performance overtime fee or the then current AFM’s Sound Recording Labor Agreement (SRLA) patch fee (for fifteen minutes: Feb. 1, 2018 – Feb. 1, 2019: $55.86; Feb. 1, 2019: $57.53), assuming that the patch session is announced within 10 minutes and begins within 45 minutes of the concertmaster leaving the stage. After thirty (30) minutes of patch session, the payment fee will be the Sound Recording Labor Agreement patch fee (for thirty minutes: Feb. 1, 2018 – Feb. 1, 2019: $111.72; Feb. 1, 2019: $115.06) in fifteen-minute increments (Feb. 1, 2018 – Feb. 1, 2019: $55.86; Feb. 1, 2019: $57.53).
