REHEARSAL BREAKS. During all rehearsals there shall be a break of not less than ten (10) minutes per hour. A rehearsal break shall not be taken in the first half (1/2) hour or the last half (1/2) hour of the scheduled rehearsal and no rehearsal shall continue for more than one and one- half (1 1/2) hours without a break.
REHEARSAL BREAKS. Standardly, there will be a break of 15 minutes during each rehearsal session. The break shall be called within the first two and a half hours of a four hour call and within the first two hours of a three hour call. • Breaks during technical rehearsals on stage During technical rehearsal sessions, there will be a break of 15 minutes for every musician, which shall be called within the first two and a half hours of a four hour call and within the first two hours of a three hour call. Rehearsal sessions of up to two hours do not require a scheduled break. The timings of technical rehearsal sessions for musicians include time for dressing into costume and out of costume. • Breaks between sessions Breaks between musicians’ rehearsal or performance calls will be at least 45 minutes long. This does not apply to Early Calls (please see page 10). • Performance breaks Many shows at the Globe include pre-show and interval music. Show lengths can vary considerably. Musicians perform from different locations and so performance breaks will be applied flexibly and in collaboration with the MD and band, but in accordance with the following principles. - Performance calls of up to 3 hours will include a break of 15 minutes for each musician, - Performance calls of up to (and including) 4 hours will include a break of 20 minutes for every musician, which can be allocated in two instalments of 10 minutes each. - Performance calls of more than 4 hours will include a break of 25 minutes for every musician, which can be allocated in two instalments, one of 10 minutes and one of 15 minutes. The individual musicians’ breaks will be allocated by management in collaboration with the MD, composer and director over the course of technical rehearsals and preview performances, as and when show timings settle and the appropriate moments in the show can be identified. The above rules for breaks and any break infringement payments will therefore apply from Press Night onwards.
REHEARSAL BREAKS. There shall be an interval of not less than five minutes per hour worked, or part thereof, to be taken no later than half way through the rehearsal unless by prior agreement between the Conductor and the Orchestra. In the case of a four-hour call no less than two breaks shall be taken - the first being taken no later than one and a half hours from the beginning of the rehearsal.
REHEARSAL BREAKS. Artists shall accumulate breaks at the rate of ten (10) minutes per sixty
REHEARSAL BREAKS. During all rehearsals there shall be a break of not less than ten (10) minutes per hour. A rehearsal break shall not be taken in the first half (1/2) hour or the last half (1/2) hour of the scheduled rehearsal and no rehearsal shall continue for more than one and one-half (1 1/2) hours without a break. During all rehearsals and auditions the musician(s) will receive a meal break of not less than one (1) hour, not later than five (5) hours after the beginning of the call. Subsequent meal breaks shall be called not later than five (5) hours after the expiration of the previous meal break. For any call exceeding five (5) hours the musician(s) will receive overtime as described in Article 10 OVERTIME until the meal break is called or the musician is released.
REHEARSAL BREAKS. On all rehearsals covered under this agreement, there shall be a break of not less than ten
REHEARSAL BREAKS. Reasonable rest periods (“breaks”) shall be provided during rehearsals as follows:
a) Piano rehearsals in Zellerbach A, B or C, or Wattis Room with Chorus Director, Guest Conductor, or Director’s Assistant: a break of ten (10) minutes shall occur within each hour of rehearsal.
b) Orchestra rehearsals with Symphony’s Music Director or Guest Conductor: PROFESSIONAL CHORISTERS shall be entitled to the same rest periods as Orchestra members. Chorus breaks need not be simultaneous with Orchestra breaks.
c) All other rehearsals: a break of ten (10) minutes shall accrue for each hour of rehearsal, provided that PROFESSIONAL CHORISTERS sing no longer than one and one quarter (1.25) hours without a break. No break shall be shorter than ten (10) minutes, unless it falls at the end of rehearsal. An additional five (5) minutes travel-time shall be allowed when rehearsal location changes floors. SYMPHONY shall make best efforts to announce the break schedule at the beginning of the rehearsal.
REHEARSAL BREAKS. There shall be a break of ten minutes per hour of rehearsal, which time cannot be taken at the beginning or at the end of rehearsal, unless agreed to by the Chair of the Orchestra Players Committee. This agreement shall not be unreasonably withheld. There shall be a break after a maximum of one-and-one-half hours of rehearsal time.
REHEARSAL BREAKS. There will be at least one (1) 10 minute break called at a 2 hour rehearsal, at least one (1) 15 minute break called at a 2-1/2 hour rehearsal, and at least two (2) 10 minute breaks called at a 3 hour rehearsal. During a 3 hour rehearsal the second break must be called no later than 2-1/2 hours after the call began unless approved by a majority vote of the Orchestra. Breaks may be staggered as to individuals, but no one shall be required to play over 1 hour and 20 minutes without a break at any rehearsal, except dress rehearsals for opera, choral and ballet when acts or the entire choral work without intermission when played straight through exceeds 1 hour and 20 minutes. In these instances, a break will be called either immediately preceding or immediately following the playing straight through of the work. Not more than two
