STAGE FIGHTING / STUNTS Sample Clauses
STAGE FIGHTING / STUNTS. The following regulations shall be followed whenever a production requires an Actor to engage in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc.
(A) No Actor shall be required to participate in stage fighting unless the Actor has agreed to same by means of a signed rider.
(1) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty).
(2) All stage fights will be staged with on-site consultation by a qualified professional (i.e., someone with expertise in stage combat and, where appropriate, weaponry and/or martial arts).
(3) Equipment used in the performance of any stage fight and/or stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre staff, prior to each performance.
(B) If the Fight Director or Choreographer is not present during the run of the production, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 per week in addition to the Actor’s weekly contractual salary.
(C) All Actors who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours.
(D) Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing members of the Company shall rehearse stage fighting/stunts with understudies and replacements during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain at least once prior to the understudy or replacement Actor’s performance in any role. Rule 63. STAGE FIGHTING/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERS
(E) First Aid. Proper first-aid information and equipment (including cold packs) shall be made available at any rehearsal or performance site where stage fighting/stunts occur.
STAGE FIGHTING / STUNTS. The following regulations shall govern whenever a production requires Actors to enact a fight and/or stunt:
(A) ▇▇▇▇▇ to rehearsing or performing in said stage fighting/stunts, the Actor shall agree in a contract rider to participate in stage fighting/stunts.
(B) All stage fights and/or stunts will be staged with on-site consultation by a qualified professional (i.e., one who has, through industry-recognized training and experience, proven ability to perform and supervise the maintenance of safe stage fighting and/or stunts). If all Actors (including Understudies) performing the stunts are trained in that stunt specialty, no qualified professional shall be required.
(C) If the production has three or more Actors who participate in stage fighting, a Fight Captain, designated by the Fight Director, shall be assigned no later than the second day of fight rehearsals.
(D) The Fight Captain shall be paid not less than $20.00 per week beginning with the week of the first paid public performance.
(E) At the express discretion of the Fight Captain and/or Stage Manager, all Actors who participate in a fight/stunt may be required to run through the routine or any 10 minute segment of it before half hour of each performance, except before the second performance on a twi-night performance night. The Fight Captain shall lead such run through. These rehearsals shall not come out of regular rehearsal hours and shall not be subject to overtime.
(F) All equipment used in the performance of any stage fight/stunt shall be checked for safety purposes prior to each performance.
(G) Except in an emergency, performing members of the company shall rehearse fights/stunts with Understudies during regular rehearsal hours. However, in any event, at least once prior to the Understudy’s performance in any fight/stunt role, the Fight Captain and/or Stage Manager will rehearse all Actors affected by the cast change in the fight/stunt using actual performance props and weapons.
(H) After the official opening, the Fight Captain and Stage Manager must be consulted before any changes are made in a fight/stunt routine.
(I) The Producer agrees to call the Fight Director and/or Stunt Director or his/her designee when requested to do so by the Fight Captain and/or Stage Manager.
(J) All rehearsals shall utilize tumbling mats. The Producer shall provide any necessary protective clothing for rehearsal and/or performance. (See Rule 14(F).)
(K) Proper first-aid information and equipment (including ...
STAGE FIGHTING / STUNTS. The below-listed regulations shall be followed whenever a production requires two or more Actors to enact a fight with weapons or with sufficient physical contact to create a potentially dangerous situation. These regulations shall also apply to choreographed stunt movement such as falls, throws, tumbling, catches, aerial work, silk performances, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc.
(A) The Actor shall agree in a contract rider to participate in stage fighting/stunts.
(B) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional fly person, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). Adequate training must be provided to the Actor and the Understudy prior to rehearsing stunts. Adequate rehearsal time must be provided to the Actor prior to the first public performance. All stage fights will be staged with on-site consultation by a qualified professional (i.e., someone with expertise in stage combat and, where appropriate, weaponry and/or martial arts).