Broadcasts. The licensee is granted non-exclusive rights to have the master recording broadcasted over the radio. The licensee is granted the rights to have it broadcasted an unlimited number of times, to an unlimited number of radio stations, unless it is to be used for another separate project. For clarification, one commercial use refers to the number of projects that the instrumental can be utilised, which is limited to just one project. For example, the instrumental may be used to formulate a song, but may not be used as background music for a digital animation that is not related to that song, as that would be regarded as a separate project. If the licensee would like to use the instrumental for multiple projects, a new license must be purchased for each individual project.
Broadcasts. The visiting institution shall designate one (1) audio (including internet and/or terrestrial radio) and/or one (1) live or tape delay telecast for broadcast within its home listening/viewing area, with all host rights fee being waived. All other broadcast and fee rights shall remain the property of host institution. In the event the host and visiting institutions share the same home viewing area for the purposes of telecast, the host institution shall retain exclusive rights for broadcast in such home area, including tape delay.
Broadcasts. The following provisions will apply to an opera broadcast: In consideration of the payment of the appropriate fees in Schedule of this Agreement, the Corporation may:
Broadcasts. Coach acknowledges that from time to time the University and/or the Employer may be presented with opportunities for the production and distribution of radio, television and/or internet broadcasts relating to the Program and/or the University’s athletics program in general (the “Broadcasts”). Coach shall appear and participate in such Broadcasts in accordance with the reasonable instructions of the Employer and/or the University. In addition, Coach acknowledges that the Employer and/or the University may require Coach to record generic or topical television or radio promotions for the promotion of such Broadcasts, and such other shows or events as reasonably determined by the Employer and/or the University for the promotion of the University and its athletics program.
Broadcasts. MANAGEMENT may produce one live or one tape delayed local radio broadcast of each production, without additional compensation to ARTISTS, provided that no one else involved in the performance receives additional compensation.
Broadcasts. The Team Owner has and shall retain the sole and exclusive rights to control, and to receive as Exclusive Team Revenues all revenue from, all radio, television and other media broadcasts, reproductions and transmittals of the pictures, descriptions and accounts of Hockey Events and all other activities of the Team, the Team Owner and the visiting teams incidental to Hockey Events, regardless of the nature of the technology or the medium and whether distributed locally, nationally or otherwise.
Broadcasts. The Musician acknowledges that LTC may, but is not obliged to, record and broadcast the Production for cinema distribution. If a Performance or any part of a Performance is broadcast LTC or LTC’s chosen broadcast production partner shall pay to the Musician an appropriate fee in addition to the Musician’s Salary in line with the appropriate agreement with the MU. This paragraph applies only to broadcasts from the Theatre. LTC shall notify the MU not less than two weeks before any recording takes place. UK Theatre Agreement
Broadcasts. During the Term of this Agreement, TEAM and the NBDL shall have exclusive control of and rights with respect to the display or delivery of Home Games and other Team Events by any means, including, without limitation, radio, television, cable, Internet, or other method of transmission or communication now existing or hereafter developed (collectively, “Broadcasts”). All revenues derived from Broadcasts of Home Games and other Team Events and/or from the sale or license of Broadcast rights shall be retained by TEAM and the NBDL according to their respective interests. Nothing in this Agreement is intended to limit the right of TEAM or the NBDL to authorize broadcast or dissemination by any medium of professional basketball games played away from the Facility by TEAM. The SMG existing agreements listed on Exhibit VI (the “SMG Existing Agreements”) shall not apply to or adversely affect TEAM’s broadcast rights as set forth in this Section 11, provided, neither TEAM nor the NBDL, through the exercise of the broadcast rights granted herein, shall violate any advertising or sponsorship rights, restrictions and/or exclusives, including altering, modifying, obstructing or covering all or any portion of the permanent advertising within the Facility relating to or arising from the SMG Existing Agreements of which TEAM has been given prior written notice by SMG specifying such rights, restrictions and/or exclusives, nor any such future advertising or sponsorship agreement(s) SMG, in its sole discretion, may enter into that is not Court Visible Signage. Notwithstanding any other provisions in this Section 11(a), for games televised nationally (excluding broadcasts limited to internet only), TEAM and NBDL shall be allowed to cover or otherwise obstruct signage that is located directly behind each basketball goal that are located no higher than fifteen feet above the event floor and inside of the physical dimensions of the basketball court (“Court Visible Signage”). During the Term hereof, SMG, at no cost to TEAM, shall maintain in good working condition the equipment and facilities set forth on Exhibit V that enable Broadcasts from the Facility (the “Broadcasting Equipment”); provided, however, SMG shall not be obligated to provide any new equipment or facilities for Broadcasts during the Term.
Broadcasts. The Contracted Party hereby declares, that they have a written license agreement with the conductor and the soloists to use their performance under the conditions agreed in this Contract and that the Contracted Party is entitled to grant a sub-licence to the Promoter. The Contracted Party hereby grants a sub-licence to obtain a recording of the Concert through a mutually agreed broadcaster - Radio Devín (hereinafter as the „Broadcaster“) to record the Concert (only regular programme, without encore) in terms of sound (no audio-visual recording) using digital technique with following rights: - for deferred broadcast of the Concert for public performance and radio broadcasting (wireless or wired, through a ground station or a satellite) with 3 (three) transmissions in the Broadcasters national range; 1 (one transmission) within EBU (except of the Mozart Concerto) in any system, technique or format; in full or partially; The recording will not be made available for download. The Promoter shall provide The Contracted Party the DVD/CD copies (ideally off-air) of the broadcast(s) within 28 days of the transmission. The Contracted Party also agrees to the recording of extracts from rehearsals or performances for news or other information broadcasts without separate remuneration and to the broadcast of such recordings, provided that the total duration thereof does not exceed three minutes. In the event of the audio recording proving of interest for subsequent download or commercial CD, or for transmission outside the above parameters (e.g. repeats, or outside national borders) this will be the subject of separate negotiations between the Contracted Party, agents representing the Conductor and the Soloists and the company wishing to use this material.
