Repertory. A “Repertory” Theatre is a Theatre that engages Artists for a performance pattern consisting of a series of productions introduced at intervals throughout the season, some or all of which are maintained and repeated during the season.
Repertory. During the last ten (10) days of rehearsals prior to the first public performance in a repertory season, there may be up to two (2) days for each production during which the Artist may be called to rehearse ten (10) out of twelve (12) consecutive hours per day provided that the Artist receives no fewer than two (2) one (1) hour meal breaks within the twelve (12) hour span. Each meal break must occur after no more than four (4) hours of rehearsal. Alternatively, during the last ten (10) days of rehearsals prior to the first public performance in a repertory season, there may be up to two (2) days for each production during which the Artist may be called to rehearse ten (10) out of twelve (12) consecutive hours per day with a meal break of at least two (2) hours after a maximum of five (5) hours rehearsal. This break may be reduced to one-and-a-half (1-1/2) hours if the span of the day is reduced to eleven-and-a- half (11-1/2) hours. There shall be a minimum of twelve (12) hours between the end of one day's work and the call to work on the next day. At least one (1) such day must involve on-stage, technical or dress rehearsals. Should a call continue for longer than five (5) hours without the required meal break, the Artist shall invoice the Theatre at the rate stipulated on line one (1) of Schedule "A" in the current CTA Fee Booklet.
Repertory. The term "Repertory," as used in this Agreement, shall be defined as a performance pattern consisting of a series of productions introduced at intervals throughout the season, some or all of which are maintained and repeatedly revived as a part of the Theatre’s general program.
Repertory. Following the first public performance, and up to and including the official opening, the Artist may be called for notes following a performance to a maximum of thirty (30) minutes, up to three (3) times per week or one (1) call of one (1) hour and one (1) call of thirty (30) minutes per week. Once per production, and during the first fourteen (14) days after the first public performance, one of the permitted note sessions to a maximum of thirty (30) minutes may be scheduled on a two (2) performance day, in which case sixty
Repertory. In Repertory class, students learn the choreography of notable choreographers throughout history, including BT founder Xxxxx Xxxx. This class gives students the opportunity to put their dance technique to use and prepare them for stage performances. In addition to learning Xxxx repertory, students are introduced to new choreographers and their dances. This class is also used to prepare students for BT performances, including Kids Dance at The Xxxxx Theater.
Repertory. During the last ten (10) days of rehearsals prior to the first public performance in a repertory season, there may be up to two (2) days for each production during which the Artist may be called to rehearse ten (10) out of twelve (12) consecutive hours per day provided that the Artist receives no fewer than two (2) one (1) hour meal breaks within the twelve
Repertory. The term "repertory," as used in this Agreement, shall be defined as a rotating performance pattern consisting of a series of productions which may be introduced either simultaneously and/or at intervals throughout the season, some or all of which are maintained and repeatedly revived as a part of the Theatre's general program.
Repertory. For those Universities and/or Theatres performing in repertory, as defined by Rule 18(D), the University and/or Theatre may, on non-performance days, schedule rehearsals not to exceed eight hours. These may be 8-out-of-12 consecutive hours, or two blocks of four consecutive hours separated by a rest period of no less than four consecutive hours. This shall not occur more than three times in any workweek. Should the University and/or Theatre choose this option, transportation to and from the Actors’ housing must be provided to accommodate each Actor’s schedule.
Repertory. Following the first public performance, and up to and including the official opening, the Artist may be called for notes following a performance to a maximum of thirty minutes, up to three times per week call of one hour and one call of thirty minutes per week. Subsequent to the opening, the Artist may be called for thirty minutes per week. The following conditions shall apply to the note cells referred to in (A) and above: Up to and including the official opening, they may take place on fifteen minutes’ notice, in which case the time taken for the call will be deducted from the Artist’s rehearsal call; or The time taken for the call may be deducted from that day’s rehearsal call for the Artist, in which case twenty-four hours’ notice will be given. Subsequent to the official opening, at least twenty-four hours’ notice of a note call must be given, and the time taken for the call will be deducted from that day’s rehearsal, if there is one, or, otherwise, the Artist’s next rehearsal cell. Note Calls must begin fifteen minutes after the final curtain. A Note Call may not extend past Call may not infringe upon the Artist’s overnight rest period. COSTUME FITTINGS The Theatre is granted a total number of free hours for costume fittings which cannot exceed two hours for each play per season per Artist in and three hours for each play per season per Artist in Sector The Theatre shall not the Artist to perform this duty on the Artist’s day or meal breaks. Travel to and from fittings shall constitute part of the costume fitting time. The Theatre agrees that any additional hours or fraction thereof spent by the Artist for costume fittings above those provided for in the preceding paragraph, shall be considered rehearsal time or shall be compensated at the appropriate overtime rate. (See Clause Costume Fittings Before the Engagement Period Should the Artist, at the request of the Theatre, attend costume fittings before the engagement period for which is contracted, the Artist will be compensated at the regular overtime rate (minimum one hour for Sector 1 Theatres and two hours for Sector 2 Theatres) for the actual time of the fitting, if the fitting takes place in the Artist’s place of residence, or if the fitting takes place at a location other than the Artist’s place of residence, but the Artist is not required to travel to ‘said location specifically for the fitting. When the Artist is requested, by the Theatre, to travel to a location outside his/her place of res...
Repertory. During the last ten days of rehearsals prior to the first public performance in a repertory season, there may be up to two days for each production during which the Artist may be called to rehearse ten out of twelve consecutive hours per day with a break of at least two hours after a maximum of five hours rehearsal. This break may be reduced to one-and-one-half hours if the span of the day is reduced to eleven-and-one-half hours. There shall be a minimum of twelve hours between the end of one day’s work and the call to work on the next day. At least one such day must involve on-stage, technical or dress rehearsals. Should a call continue for longer than five hours without the required meal break, overtime will be paid (Clause When a performance is cancelled, Artists may be required to rehearse for a period of time not to exceed the length of the performance, including the half hour call, if such rehearsal is after the first fourteen day period following the first public performance. Such rehearsal shall be in addition to the weekly total of hours provided for in Clause Should a performance be cancelled with less than one-and-one-half hours notice before the half-hour call, except through failure or inability of an Artist to perform, the Artist in the production will be deemed to have performed and the performance will be included in the maximum number of performances allowed per week.
