USE OF COPYRIGHTED MATERIAL. Unless the proposed use of a copyrighted work is an exception under the “fair use” guidelines maintained by the Superintendent or designee, Life School shall require an employee or student to obtain a license or permission from the copyright holder before copying, modifying, displaying, performing, distributing, or otherwise employing the copyright holder’s work for instructional, curricular, or extracurricular purposes. This policy does not apply to any work sufficiently documented to be in the public domain.
USE OF COPYRIGHTED MATERIAL. If, in connection with a Project, CLIENT requests PPD to make and/or distribute copies of copyrighted materials such as journal articles or excerpts from publications, CLIENT agrees to pay the cost of any copyright fees incurred by PPD that are necessary for PPD to produce and distribute such copies. CLIENT shall indemnify PPD for any and all damages, losses, and costs, including, without limitation, reasonable attorneys’ fees, which PPD incurs as a result of making and/or distributing copyrighted material pursuant to CLIENT’S request.”
USE OF COPYRIGHTED MATERIAL. The playing, performing or other use of copyrighted television or radio transmission, music, videotape, audio-visual material, or any other work, whether live or recorded, by Exhibitor or its agents, representatives or employees is expressly prohibited unless the exhibitor or its agents, representatives or employees have contracted with the owner, ASCAP, BMI or a similar organization to use the work at the show. Exhibitor agrees to indemnify defend and hold harmless Xxxx Productions, Inc. (and its respective officers, directors, owners, employees, insurers, agents, representatives and assigns) against any and all claims and costs of defense, or fees paid by Xxxx Productions, Inc. to ASCAP, BMI, or similar organizations arising from any unauthorized use of any work by Exhibitor or any of its agents, representatives or employees.
USE OF COPYRIGHTED MATERIAL. The Engineer warrants that any materials provided by the Engineer for use by City pursuant to this Agreement shall not contain any proprietary material owned by any other party that is protected under the Copyright Act or any other law, statute, rule, order, regulation, ordinance or contractual obligation relating to the use or reproduction of materials. The Engineer shall be solely responsible for ensuring that any materials provided by the Engineer pursuant to this Agreement satisfy this requirement and the Engineer agrees to indemnify and hold City harmless from all liability or loss caused to City or to which City is exposed on account of the Engineer’s failure to perform this duty.
USE OF COPYRIGHTED MATERIAL. The organiser has an agreement with The Visual Arts Copy- right Society in Sweden (BUS), or equivalent organisation, which regulates various categories of use of the Originator’s copyrighted material. The originator is not affiliated to BUS nor to any equivalent organisation which represents him/her in matters of copyright, hence the following terms shall apply:
6.1 Accessibility of the originator’s work on the organiser’s website or equivalent The originator’s work may be available on the organiser’s website: during the period from: to: for a fee of SEK, excl. VAT (6%), per commenced calendar month and per work. Number of works to be published on the website: The pieces of work shall be accompanied by information about the originator and the work, and shall be protected as far as possible from unauthorised copying, e.g. by adjusting the image quality, by including copyright information and by using technical protection measures.
6.2 Printed reproductions of the originator’s work When the originator’s work is reproduced on printed material such as postcards and posters, the originator is to receive remuneration in the form of a production royalty, which means that the origina- tor’s remuneration is calculated based on the number of copies produced. The total print run for the reproduction material(s) is estimated to amount to copies. The originator’s royalty is % of the selling price of the copies, excl. eventual discounts and excl. VAT (6%).
USE OF COPYRIGHTED MATERIAL. In the event that Accentia requests PPD Development to make and/or distribute copies of copyrighted materials such as journal articles or excerpts from publications, Accentia agrees to pay the cost of any copyright fees incurred by PPD Development that are necessary for PPD Development to produce such copies, unless Accentia provides a written representation and warranty that: (a) Accentia has paid any and all fees and costs associated with said copying and/or distribution of the material to be copied and or distributed; or (b) PPD is not required to pay a copyright fee to make copies or distribute the subject material. Accentia hereby expressly agrees to indemnify PPD for any and all damages, losses, and costs PPD may suffer as a result of making and/or distributing copyrighted material pursuant to Accentia’s request.
USE OF COPYRIGHTED MATERIAL. Use of all copyrighted material, including music, film clips, graphics, etc., is illegal. Therefore you may not use any copyrighted material in work done as part of a course at WCU, and you should not use it in your own work since it may expose you to a possible lawsuit. There are 3 exceptions. You may use copyrighted material if:
a. You have obtained the rights from the owner or rights holder. You must present your instructor with written documentation that confirms this. *Note that this also holds true for original music. You must get a release from the composer granting you the right to use the music.
b. You are using the material as a temp version during an early cut of your project. This copyrighted material must be replaced in the final version.
c. The usage falls under the definition of Fair Use. Fair Use is a tricky subject, and each of these criteria below has limitations. Your best source for information on Fair Use is American University’s Center for Social Media website: xxxx://xxx.xxxxxxxxxxxxxxxxxxxx.xxx/fair-useI. I In general, however, there are four criteria to determine Fair Use:
i. If the material is used as the object of social, political, or cultural critique;
ii. If the material is used to illustrate an argument or point;
iii. If the material was captured while filming something else;
iv. If it is used in a historical sequence
USE OF COPYRIGHTED MATERIAL. It is the intent of the District that all employees abide by current copyright laws. Copyrighted materials in all forms, including electronic or printed material, should not be reproduced unless rights are granted by the copyright holder or the use meets the doctrine of "fair use". General ''fair use" guidelines for classroom instruction include spontaneity (using material one or two times, such as a recent newspaper article), brevity (using parts of a document instead of the whole work). Copyright owners are not to be deprived of rightful earnings. Further information on "fair use" is available from the US Copyright Office at xxxx://xxx.xxxxxxxxx.xxx. For help determining if an item falls within the realm of "fair use," please discuss your use with the building librarian.
USE OF COPYRIGHTED MATERIAL. The organiser has an agreement with The Visual Arts Copy- right Society in Sweden (BUS), or equivalent organisation, which regulates various categories of use of the Originator’s copyrighted material. The originator is not affiliated to BUS nor to any equivalent organisation which represents him/her in matters of copyright, hence the following terms shall apply:
6.1 Accessibility of the originator’s work on the organiser’s website or equivalent The originator’s work may be available on the organiser’s website:
USE OF COPYRIGHTED MATERIAL. The Organizer has an agreement with The Visual Arts Copyright Society in Sweden (BUS), or equivalent organization, which regulates various categories of use of the Artist’s copyrighted material. The Artist is not affiliated to BUS nor to any equivalent organization which represents him/her in matters of copyright, hence the following terms shall apply:
6.1 Accessibility of the Artist’s work on the copies, excl. eventual discounts and excl. VAT (6 %). The royalty amount is estimated to amount to kr The reproduction product(s) are specified in Appendix
