Biographies Sample Clauses

Biographies. All Actors (including Stage Managers, Understudies, and Swings) shall have a biography available to every patron free of charge either by printed program or online program, whichever is applicable. In the case of Understudies and Swings, the biography will appear in the next printing of the program after the print deadline or added to the online program, whichever is applicable, within one week following the first date of employment. The biography will contain professional credits and biographical data. The Actor shall have the right of approval of biographical material, which approval shall be in writing or e-mail and not unreasonably withheld. Such approval shall include an indication of the preferred cuts in the event that limitations of space require editing. Should the Actor fail to indicate such preferred cuts, the Producer shall be free to edit at the Producer's discretion. Biographical material not disapproved within 24 hours of its submission to the Actor shall be considered approved. Replacement actors engaged for one week or more shall have biographical material either inserted in the printed program or added to the online program, whichever is applicable, if the Actor replaced was a performing Principal Actor, Stage Manager, or a performing Chorus. (See Rule 11(A)(3).)‌
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Biographies. Include brief biographies of the owner/s and key employees. Include resumes in the Appendix. Here, summarize your experience and those of your key employees in a few paragraphs per person. Focus on the prior experience and skills that have prepared your team to succeed in this business. If anyone has previous experience starting and growing a business, explain this in detail.
Biographies. The Engager shall ensure that the biographies of all Leading, Supporting and Featured Artists as defined in Appendix A shall appear in the house program. It is understood that size and placement shall be at the sole discretion of the Engager.‌
Biographies. The proposed evaluation will employ senior and experienced project staff members who have extensive experience developing process maps for touchpoints, conducting online surveys, conducting performance target tests, and providing documentation to project sponsors.
Biographies. All Actors, (including Stage Managers, Understudies, and Swings) shall have a biography in the program and souvenir program. The biography will contain professional credits and biographical data. The Actor shall have the right of approval of biographical material which approval shall be in writing and not unreasonably withheld. Such approval shall include an indication of the preferred cuts in the event that limitations of space require editing. Should the Actor fail to indicate such preferred cuts the Producer shall be free to edit at the Producer's discretion. Biographical material not disapproved within 48 hours of its submission to the Actor shall be considered approved. Replacement actors engaged for one week or more shall have biographical material inserted in the program if the Actor replaced was a performing Principal Actor, Stage Manager, or Chorus. (See Rule 10(A)(3).)‌
Biographies. The Engager shall include the biography of all stage management personnel in the house program for all productions of the “The Nutcracker” and all full length ballets and will endeavour to include all stage management personnel’s biography in the house program for mixed repertoire productions. Stage management personnel shall have the right of approval of biographical material for the house program, which approval shall be in writing, and shall not be unreasonably withheld. Biographical material not disapproved within forty-eight (48) hours of its submission to the Artist shall be considered approved.
Biographies. A biography of each of the principal members of the cast.
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Biographies. Xxxxxxx Xxxx is a Master student with Soochow University in China. His esearch interest focuses on optical networks.
Biographies. All Actors, (including Stage Managers, Understudies, and Swings) shall have a biography in the program and souvenir program. In the case of Understudies and Swings, the biography will appear in the next printing of the program after the print deadline following the first date of employment. The biography will contain professional credits and biographical data. The Actor shall have the right of approval of biographical material which approval shall be in writing and not unreasonably withheld. Such approval shall include an indication of the preferred cuts in the event that limitations of space require editing. Should the Actor fail to indicate such preferred cuts the Producer shall be free to edit at the Producer's discretion. Biographical material not disapproved within 24 hours of its submission to the Actor shall be considered approved. Replacement actors engaged for one week or more shall have biographical material inserted in the program if the Actor replaced was a performing Principal Actor, Stage Manager, or a performing Chorus. (See Rule 10(A)(3).)

Related to Biographies

  • Bibliography Xxxx, X. & Xxxxxxxx, X. A New Reference Grammar of Modern Spanish. London: Xxxxxx Xxxxxx, 1989 (varias eds.). Xxxxx Xxxxxxx, X. Xxxxxx y escribir correctamente: gramática normativa del español actual. Madrid: Arco/Libros. 2006. Real Academia Española, Asociación de Academias de la Lengua Española. Nueva gramática de la lengua española: Manual. Madrid: Espasa, 2010. Xxxxxxx, M.S. Spanish/English Contrasts: a Course in Spanish Linguistics. Georgetown University Press. 2002. xxx.xxx.xxxxxxxxx.xx/aula/didactired/didactiteca (The Instituto Xxxxxxxxx Didactics Library) xxx.xxx.xxxxxxxxx.xx/aula/pasatiempos (Interactive didactic activities aimed at students of Spanish) xxx.xxx.xxxxxxxxx.xx/lengua/refranero (A selection of proverbs and proverbial phrases in Spanish with their equivalents in a range of other languages.) xxx.xxx.xx (Diccionario de la Real Academia de la Lengua Española) xxx.xxxxxxxxxxxxx.xxx (Diccionario inglés-español-inglés) Final Grades will be calculated with the following distributive basis in mind: - Regular class attendance: 10% - Classwork undertaken: 15% - Active participation in class sessions: 25% - The successful completion of an assignment based on the prose work, Xxxxxxxxx xx Xxxxxx: 15% - A final exam which will involve testing all Course-content: 35% - Grading on a scale of 10 as maximum: Fail (0-4’9); Pass (5-6’9); Very Good (7- 8’9); Excellent (9); With Distinction (10). Course FA-37 PAINTING IN LITERARY SEVILLE (45 class hours) Lecturer: Xxxx Xxxxx (xxxxxxxxxxxxxxxx@xxxxx.xxx) Substitute Lecturer: Xxxx Xxxxxx Xxxx (xxxx@xxxxxxxxx.xxx)

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