Cultural Theory. London: SAGE, 1991. Xxxxx, Xxxxx. “The Child as Laborer and Consumer: The Disappearance of Childhood in Contemporary Japan.” In Children and the Politics of Culture, edited by Xxxxxx Xxxxxxxx, 51-78. Princeton and New Jersey: Princeton University Press, 1995. Xxxxxxxxxxx, Xxxxxx. The Art of Self Invention: Image and Identity in Popular Visual Culture. London and New York: I. B. Tauris, 2007. Xxxxx, Xxxx. Understanding Popular Culture. New York: Routledge, 1989. Xxxxx, Xxxxxxxxx. “A Day-trip Date with the Virtual Romantics of ‘New LovePlus+’.” The Japan Times, April 7, 2014. Accessed February 18, 2016. xxxx://xxx.xxxxxxxxxx.xx.xx/life/2014/04/07/digital/a-day-trip-date-with-the-virtual- romantics-of-new-loveplus/#.VsnNU-grLIU. Xxxxxxxx, Xxxxxx. “Body/Power.” In Power/Knowledge: Selected Interviews and Other Writings 1972-77, edited by Xxxxx Xxxxxx, 56-62. Brighton: The Harvester Press, 1980. ----. The Will to Knowledge. Penguin Books, 1990. ----. The Discipline and Punish: The Birth of the Prison. New York: Vintage Books. 1995. Xxxxxxx, Xxxxxxxx. Japanese Economic Development: Theory and Practice. London etc.: Routledge, 2009. Xxxxxx, Xxxxxx. “Chinese Tech Buffs Slake Thirst for U.S. TV Shows.” The New York Times, August 9, 2006. Accessed March 11, 2016. xxxx://xxx.xxxxxxx.xxx/2006/08/09/world/asia/09china.html?pagewanted=1&_&_r=0. Xxxxx, Xxx. “Shanghai Disneyland Offers Springboard for Disney’s China Ambitions.” The Wall Street Journal, June 12, 2016. Accessed August 1, 2016. xxxx://xxx.xxx.xxx/articles/shanghai-disneyland-offers-springboard-for-disneys-china- ambitions- 1465723802.
Cultural Theory. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. Abstract My project traces the interrelated discourses of eroticism, modernism and transgression in the twentieth century through a nexus of thinkers, writers and architects focused around the French theorist and pornographic writer Xxxxxxx Xxxxxxxx (1897-1962). My aim is to consider what it means to think of eroticism as a transgression, and what transgression might look like. The topics of eroticism and transgression demand an interdisciplinary approach, and my thesis responds to this need through analysis of cultural theories, literature and architecture. Xxxxxxxx, X. X. Xxxxxxxx, Xxxxx Xxx and Xx Xxxxxxxxx were contemporaries who explored similar ideas through different disciplines and using different language. My thesis draws them together to explore these similarities and what they reveal about the different disciplines, their relationship to one another, and their relationship to eroticism and transgression. My method involves close theoretical readings of Xxxxxxxx’s texts – chiefly Eroticism, but also The Accursed Share, History of Eroticism, Theory of Religion and selected essays and fiction – to develop a rigorous reading of Xxxxxxxx’s notion of erotic transgression. This notion and related ideas of expenditure, sacrifice and poetry provide the basis for original analysis of the literary motifs and language used by Xxxxxxxx and Xxx who, like Xxxxxxxx, were concerned with writing eroticism. The importance of the sites of eroticism in fiction by all three writers and the structure of the language they use reveals a connection between their erotics, and between transgression and architecture. I explore this connection further by analysing the ideas and productions of architects who have openly engaged with Xxxxxxxx’s thinking, focusing on Xx Xxxxxxxxx and Xxxxxxx Xxxxxxx. I examine the possibility of transgression and poetry in architecture, and what the relationship between literary and architectural modes of transgression reveals about eroticism. Table of Contents Acknowledgements............................................................................................. 5 List of Abbreviations........................................................................................... 6 List of Photographic Images............................................................................... 7 ...
Cultural Theory. An Anthology, Chichester, West Sussex: Xxxx Xxxxx & Sons. Xxxx, M.S. (1993), American skinheads: the criminology and control of hate crime, Westport, Conn.: Praeger. Xxxxxx, X. (2015), The Homo Sacer of Open Source Journalism. Empedocles: European Journal for the Philosophy of Communication, 6(1), pp. 21-38. Xxxxx, X. and Xxxxx, X. (2000), Empire, Cambridge, MA; London: Harvard University Press. Xxxxxx, X. (1980), One for the money : politics and popular song, London etc: Xxxxxxxxxx. Xxxxxx, X. (1985), Fakesong : the manufacture of British "folksong" 1700 to the present day, Xxxxxx Keynes Buckinghamshire ; Philadelphia: Open University Press. Xxxxxx, X. (1996), Gotta Serve Somebody: Xxxxxxx Xxxxxx, popular music studies and commitment. xxxx://xxxx.xxx/, [online document]. Xxxxxx, X. (1998), It's a jungle sometimes: The music industry, the crisis and the state. xxxx://xxxx.xxx/, [online document]. Xxxxxxxx, X. (1997), After Sundown: The Beach Boys' Experimental Music. In Xxxxxx, X. and Xxxxx, X. X., (eds.), Understanding Rock : Essays in Musical Analysis, New York: Oxford University Press. pp. 33-58. Have, I. and Xxxxxxxxx Xxxxxxxx, B. (2013), Sonic mediatization of the book: affordances of the audiobook. MedieKultur. Journal of media and communication research, 29(54), pp. 123-140. Hebdige, D. (1990), Style as Homology and Signifying Practice. In Frith, S. and Xxxxxxx, X., (eds.), On Record: Rock, Pop and the Written Word, London: Routledge. pp. 56-65. Hebdige, D. ([1979] 2002), Subculture: The meaning of style, London, New York: Routledge. Xxxxx, G.W.F. ([1830] 1959), Enzyklopäedie der Philosophischen Wissenschaften im Grundrisse, Xxxxxxx, X. and Xxxxxxxx, X., (eds.) Hamburg: Xxxxx Xxxxxx. Xxxxx, X.X.X. ([1807] 1988), Phänomenologie des Geistes, Hamburg: Xxxxx Xxxxxx. Xxxxxxxxx, X. ([1954] 1977), The Question Concerning Technology. In, edited and translated by Xxxxxx, X. Xxxxxxxxx, X., The Question Concerning Technology and Other Essays, New York: Xxxxxx & Row. pp. 3-35. Xxxxxxxxx, X. ([1927] 1996), Being and Time: A Translation of Sein und Zeit, New York: SUNY Press. Xxxxxxxxx, X. ([1950] 2001), The Origin of the Work of Art. In, edited and translated by Xxxxxxxxxx,
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Cultural Theory. Berkshire: Open university Press, 2006. Xxxx, Xxxx, ed. Museums and Biographies: Stories, Objects, Identities. London: Boydell and Xxxxxx, 2012. Xxxxxx, Xxxxxx X. “The Ceramics,” The Burlington Magazine 68, no. 394 (1936): 2-5+8-11. Xxxxxx-Xxxxxxxxx, Xxxxxx, ed. The Educational Role of the Museum. London and New York: Routledge, 1994. Xxxxxx-Xxxxxxxxx, Xxxxxx. Museums and the Interpretation of Visual Culture. London and New York: Routledge, 2000. Horstkotte, Slike and Xxxxx Xxxxx. “Focalization in Graphic Narrative,” Narrative 19, no. 3 (2011): 330-57. Xxxxx, X. (2005) Empire of the Senses: The Sensual Culture Reader. Oxford: Xxxx. Xxxxx, Xxxx-Liang. 謝明良. Maoyi taoci yu wenhuashi 貿易陶瓷與文化史[Trade Ceramics and Cultural History]. 台北(Taipei): 允晨文化(Yuncheng Wenhua Press), 2005. Xxx, Xxx-Hsiung. “From Aboriginal Island to Chinese Frontier: The Development of Taiwan before 1683,” in China’s Island Frontier: Studies in the Historical Geography of Taiwan, edited by Xxxxxx X. Xxxxx, 3-28. Honolulu: The University Press of Hawaii, 1980. Xxx, Ya-Xxxx. 許雅惠. “Xxxxx xx xxxxxxxx: tan gugong de dingwei” 回顧與前瞻：談故宮的定位 [Review and Prospect of the Positions of the National Palace Museum], Xxxxxx xxxxxx 文化研究[Journal of Cultural Studies] 30, (2020): 83-91 Xxxxx, Xxxxx. 黃寶瑜. “Zhongshan bowuyuan zhi jianzhu” 中山博物院之建築 [The Architecture of the Yat-Sen Museum], Gugong jikan 故宮季刊[The National Palace Museum Quarterly] 1, no. 1 (1966): 69-77. Xxxxx, Xxxxx. “China’s china: Xxxxxxxxxx Xxxxxxxxx and the Production of Art in the Nineteenth Century” (PhD dissertation, University of California, San Diego, 2008). Xxxxx, Xxxxx. “There and Back Again: Material Objects at the First International Exhibitions of Chinese Art in Shanghai, London, and Nanjing, 1935-1936,” in Collecting China: The World, China, and a History of Collecting, edited by Xxxxxxx Xxxxxxxxxxxxxx, 138-52. Newark: University of Delaware Press, 2011. Xxxxx, Xx-Xxxx. “National Glory and Traumatism: National/cultural identity construction of National Palace Museum in Taiwan,” National Identities 14, no. 3 (2012): 221-5. Xxxxx, Xxxx-Xxx 黃永泰, Xx-Xxxxx Xxxx 彭子程, and Xxx-Xxxxx Xxxx 周維強, eds. Jiaorong xxx xxx: Xxxxxx xxxxx xxxxxxxx jingpin zhan 交融之美: 神戶市立博物館精品展 [The Beauty of Interchange: Selections from Japan’s Kobe City Museum]. 台北(Taipei): 國立故宮博物院(National Palace Museum), 2019. Xxxx, Xxxxx, Xxxx Xxxxxx, and Xxxx Xxxxxxxx, eds. Point of View, Perspective, and Focalization: Modelling Mediation in Narrative. Berlin and New York: Xxxxxx ...
