Musical Theatre Sample Clauses

Musical Theatre. Performing Artists engaged exclusively for a musical theatre work may be required to rehearse (prior to the first public performance) seven (7) hours out of a span of eight-and-a-half (8-1/2) hours per day, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal. During the last ten (10) days prior to the first public performance there may be four (4) days of eight (8) hours rehearsal out of a span of twelve (12) hours, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal. During the first fourteen (14) days after the first public performance, there may be seven (7) days on which the artist may be required to rehearse in one (1) continuous call of five (5) hours, beginning no earlier than 11:00 a.m. However, no rehearsal may take place on a two-performance day. Following this fourteen- day period, there may be one (1) four-hour rehearsal call per engagement week, which may not take place on a two-performance day, or on the day following the free day. The rehearsal provisions in this Article are contingent upon the Engager providing at least three (3) weeks of rehearsal prior to opening. When contracting an Artist for musical theatre, the Engager agrees to inform the Artist of the rehearsal hours governing the engagement by means of a rider to the Artist's COA Engagement Contract.
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Musical Theatre. In the case of musical theatre, the Artist may be required to take part in up to eight (8) performances in each engagement week. However, this requirement must be stipulated on a rider to the Artist's Opera Agreement Engagement Contract, or otherwise the Artist may not be required to sing an eighth performance. If the Artist agrees to do so, said Artist shall be paid the requisite additional performance rate.
Musical Theatre. For musical theatre, please refer to Article 53:00.
Musical Theatre. In the case of musical theatre, the Artist may be required to take part in up to eight (8) performances in each engagement week. However, this requirement must be specifically negotiated with each Artist and stated on the Artist's COA Engagement Contract, otherwise the Artist may not be required to perform an eighth performance. Clause 17:04 below will not apply if the schedule of performances is negotiated and stipulated on the Artist's COA Engagement Contract.
Musical Theatre. ‌ Performing Artists engaged exclusively for a musical theatre work may be required to rehearse (prior to the first public performance) seven (7) hours out of a span of eight-and-a-half (8-1/2) hours per day, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal. During the last ten (10) days prior to the first public performance, one (1) day of eight (8) hours of rehearsal out of a span of twelve (12) hours, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal, may be scheduled instead of one of the dress rehearsals under Clause 16:07(B). The intent of this extended rehearsal day is to facilitate the technical requirements of the production in the theatre, and the Artist shall not be required to participate in more than one (1) dress rehearsal (or run-through) of the production during this rehearsal. Clause 16:07(A) shall not apply to musical theatre.
Musical Theatre. In the case of musical theatre, the Artist may be required to take part in up to eight
Musical Theatre. Performing Artists engaged exclusively for a musical theatre work may be required to rehearse (prior to the first public performance) seven (7) hours out of a span of eight-and-a-half (8 1/2) hours per day, with a meal break of at least one-and-a-half (1 1/2) hours after no more than four (4) hours of rehearsal. During the last ten (10) days prior to the first public performance there may be four (4) days of eight (8) hours rehearsal out of a span of twelve
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Musical Theatre. Backstage/Props Managers (3 positions) 854 854 Choreographer 604 604 Rehearsal Accompanist 737 737 Producer 1248 1248 Sound 000 000 Xxxxxx 000 000 Costume Coordinator 587 587 Artistic Designer 572 572 Pit Conductor 572 572 Make-up Coordinator 254 254 Scherzo 2268 2268 Select Band 2268 2268 Select Chorus 2268 2268 Jazz Ensemble 2268 2268 Peer Mediation Coordinator 802 802 School Store 947 947 Ski Club Advisor 821 821 Stock Market Club 560 560 Student Council Advisor 1992 1992 Talent Show Director 1039 1039 Yearbook Advisor 3478 3478 Advisory Coordinator(s)* 698 698 *to be appointed by building principal Morning Announcements 743 743 Perfect Pals 530 530 Green Team 318 318 Treble Makers 2268 2268 Math Club 424 424 Coding Club 000 000 XXX 000 000 Spanish Club 185 185 German Club 185 185 French Club 185 185 Russian Club 185 185 Robotics Club 300 300 Change Makers Club 300 300 Curious & Creative Club 300 300 Open Source Computer Club 300 300 Siena College Student Help Club for XXXx 300 300 Anime Club 300 300 Fantasy Problem Solver Club 300 300 Page Turners Book Club 300 300 2022-2023 2023-2024 AFS Advisor (for Exchange Coordinator) 1411 1411 Amnesty International 419 419 Best Buddies 589 589 Business Club 1298 1298 Chess Club 424 424 Freshman 1258 1258 Sophomore 1258 1258 Junior 2045 2045 Senior 2817 2817 Color Guard Director 623 623 Crew Advisor 501 501 Crew Coach 1003 1003 Debate Society Advisor 4321 4321 English Council 604 604 Environmental Club 419 419 Fantasy Problem Solving 354 354 Flute Choir 589 589 Shaker Friends Bowling 1012 1012 Future Career & Community Leaders of America 467 467 Key Club Advisor 4932 4932 International Club 1298 1298 Jazz Band 2448 2448 Jazz Ensemble Director 6237 6237 Literary Magazine Advisor(s) 2162 2162 Art Advisor 505 505 Marching Band Director 1574 1574 Marching Band Assistant Director 363 363 Math Club 604 604 Model United Nations Club Advisor 998 998 Modern Dance Advisor 1028 1028 National Xxxxx Xxxxxxx Advisor 2458 2458 Newspaper Advisor 2453 2453 SADD 419 419 Science Olympiad 207 207 Select Chorus Director 6237 6237 Shaker Light & Sound Variety Show Advisor 1028 1028 Shaker Broadcasting 801 801 Shaker Robotics 1868 1868 Shaker Technical Director 3678 3678 Director- Children's Program 915 915 Director- Musical 6484 6484 Director-Winter Production 3243 3243 Shaker Theatre Orchestra Conductor 2349 2349 Shaker Theatre Producer 2162 2162 Shaker Theatre Vocal Conductor 3243 3243 Ski Club Advisor 1411 1411 SOS Advisor 1456 1456...
Musical Theatre accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . auditions (see also Auditions) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . auditions: singing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . chorus- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . defined . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . extras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . first aid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rehearsals: after opening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rehearsals: conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rehearsals: extended days . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . venue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Negotiations i billing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . choreographer’sduties- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . clothing: cleaning/upkeep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . clothing: personal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . co-production transfer rider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . collective bargaining II. iii directors: duties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . directors: royalties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Equity, exclusive bargaining representative III. iii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . guaranteed engagement contract . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . hair style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . joint production...

Related to Musical Theatre

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