Promotional Recording. A “promotional recording” is a recording of actual performance or rehearsal for the express purpose of demonstrating the nature of its work, and the work of the Artist(s), for promotion to potential sponsors, donors, funders, group booking agents, and potential performance presenters.
Promotional Recording. Should the Engager wish to record a portion of a production for the purpose of promoting and publicizing the production to potential sponsors or presenters, the promotional recording shall be compiled of existing recordings made pursuant to this Appendix, and shall not require any special Rehearsal or Performance call. In this case, no additional payment is required for the Artists. A promotional recording may not be broadcast in whole or in part, except as provided for below (spot commercial).
Promotional Recording. The NCC may make a recording of up to fifteen (15) minutes of finished, edited recording of actual performance or rehearsal, using up to two (2) cameras, for the express purpose of demonstrating the nature of its work, and promoting it to the representatives of potential event sponsors, event partners, and/or Artist(s). The NCC shall notify Equity in writing in advance of any such recording and shall guarantee that the recording shall remain under its control, and will not be broadcast, distributed or in any way used in a commercial context. Work to accommodate the making of the recording shall take place within regular working hours or be paid for at regular overtime rates. For a period of up to three (3) years after the close of an event, a maximum of five (5) minutes of the promotional recording may be presented on the NCC’s website for the purposes of promoting the NCC, its events, and the Artists involved. The NCC shall use its best efforts to ensure that the material cannot be downloaded. The names of all Artists shall appear on the website. The NCC warrants that it is responsible for any misuse of the material.
Promotional Recording. A. No recording of any kind (audio and/or visual) shall be made of ARTISTS in rehearsal or performance without forty-eight (48) hours specific prior written notification to ARTISTS and AGMA except in the case of a promotional opportunity which could not have been reasonably anticipated in which case notice shall be given as soon as possible. By signing the Standard ARTIST's Contract form, ARTIST shall have given consent to recording activity set forth in this Article.
Promotional Recording. Should the Ballet wish to record a portion of a production for the purpose of promoting and publicizing the production to potential sponsors or presenters, the promotional recording shall be compiled of existing recordings made pursuant to this Appendix, and shall not require any special rehearsal or performance call. In this case, no additional payment is required for the Artists. A promotional recording may not be broadcast in whole or in part, except as provided for herein.
Promotional Recording. A. Except as set forth in this Article, MANAGEMENT shall not record by any means whatsoever or release, distribute or broadcast any recording. However, for recording or broadcasting activity which does not fall within the provisions of this Article, MANAGEMENT may request approval from AGMA and AGMA will consider such request in a timely fashion; AGMA and MANAGEMENT agree that any approved requests nonetheless will require Artist's consent.
Promotional Recording. Once per season the Engager may make a promotional film or videotape not to exceed twenty (20) minutes in finished running time for presentation to private invited non-paying audiences for the purpose of fundraising, on condition that:
