DIFFUSION. The ULPGC and name of entity mutually authorise one another to use their respective logos as collaborating entities exclusively for the diffusion and publicising of the activities that are subject to this agreement, contingent on the rules and instructions that both entities may provide for this purpose. The collaborating entity may also make use of the distinctive symbol that, if applicable, the ULPGC has to recognise a collaborating entity for external internships.
DIFFUSION weighted, readout-segmented (multi shot) EPI sequence for high-resolution susceptibility-insensitive DWI; insensitive to susceptibility effects to provide detailed anatomy-true diffusion imaging for brain, spine, breast and prostate.
DIFFUSION. This ma ro spe i es the subroutine to use to ompute the di usion oef- ient for the two- uid model. Currently, the only options are empty and diff o.
DIFFUSION. As mentioned earlier the two-step flow model, that has formed a basis for many WoM studies, has been subjected to criticism for its simplicity. One critic is Xxxxxxx Xxxxxx who argues that we need to be more nuanced than the initial two-step flow model. Adaptation is a process consisting of several steps in which the adopters get convinced. We need to focus on the individual and his or her decision- making, and we need to see it as a process. Thus, adaptation comes from a series of decisions. Xxxxxx has developed and refined the diffusion model through many years. He has gathered data and theories from innovation studies, and from various research traditions. Based on this literature, as well as several of his own studies of innovations, his book Diffusion of Innovation (Xxxxxx 2003) presents a model for diffusion that has been revised according to new studies. The book was first published in 1962 and is now in its fifth edition (2003). Xxxxxx is not interested in how innovations come about, but instead in the process of adaptation. Each innovation starts with early adopters, who are likely to try out innovations while they are new and not yet mainstream, growing until reaching a xxxxxxxx xxxx, and fading out with only the late adopters left interested towards the end. As in the studies of Word of Mouth, he focuses on single instances in which a potential adopter makes up his or her mind and develops an attitude towards a product. There is a range of stages the user goes through to make up his or her mind on whether to adopt an innovation or not. In contrast to the original two-step model, Xxxxxx introduces a model that focuses on 5 stages in the innovation decision process: Knowledge, Persuasion, Decision, Implementation and Confirmation. Knowledge In this first stage the individual is exposed to an innovation but lacks information about it. However, despite starting with the knowledge stage, there is something going on even before it starts. For instance, “a Californian could walk past a house with a satellite dish on the roof top and not “see” the innovation” or “a farmer could drive past a hundred miles of hybrid corn in Iowa and not “see” the invention” (Xxxxxx 2003:171), the corn being an invention Xxxxxx has analyzed earlier in his book (Xxxxxx 2003:31). Thus, even though the model starts with the stage in which an innovation has come to the attention of a potential adopter, the innovation already existed before that, independent of whether potentia...
DIFFUSION. For action For information TITULAIRE HISTORIQUE Indice Date Projet ou Pour approbation Rédacteur(s) Modifications SUMMARY Purpose of the document 64 Glossary 64 Context of the service 64
DIFFUSION. Gases with considerably good water solubility like CO2 (mole fraction solubility 7.07 x 10-4 at 20⁰C) and N2O (mole fraction solubility 5.07 x 10-4 at 20⁰C) are released to the atmosphere across the air-water interface through diffusion. In other words, soluble gases diffuse to the atmosphere through the air-water interface. (Xxxxxx, et al., 2016)
DIFFUSION. In consideration for the purchase of the Notes and payment of the Purchase Amount, and the covenants, releases and agreements of Diffusion set forth in this Agreement, Diffusion, for itself and each of its affiliates, predecessors, successors, and assigns, hereby forever releases, acquits and discharges, and agrees not to xxx or institute any legal action against any Xxxxxxx or his heirs, assigns, representatives and agents from, against, and with respect to, all claims, actions, liability, obligations, damages and causes of action of any nature whatsoever, whether based in tort, contract, or on any legal or equitable ground or theory of recovery, and/or alleging breach of fiduciary duty, fraud, conflict of interest, or any other matter that may give rise to liability under any cognizable legal or equitable theory of recovery, which arose, accrued, or relates to any matter, action, omission or circumstance occurring or existing, prior to and including the Effective Date, whether known or unknown, asserted or unasserted, including without limitation, all claims arising out of or relating any agreement or contract to which Xxxxxxx and Diffusion are parties, including without limitation, the Subscription Agreement, the 2009 Note and the Operating Agreement.
DIFFUSION. Since the 4th of April 2018, TRACE Gospel is deployed in French-speaking Africa. It thus includes more than 25 countries and 3 millions additional households. TRACE Gospel is available on CANAL + PACKAGES in the ACCESS offer on channel 128 in Africa as well as TNT EasyTV offer on channel 38. TRACE Gospel is also available worldwide via streaming service TRACE Play. Xxxxxxx Xxxxxxxx, TRACE group CEO, says: “This partnership with Thema and CANAL+ International was decided to offer a channel which brings even more satisfaction to gospel music fans. It’s a great pride and responsibility for Trace. We will bring to this channel all the means and all the expertise of the group in order to place it on the top of spiritual musical channels.” Xxxxxxx Xxxx, THEMA CEO and Director of Channels and Content at Canal + INTERNATIONAL, says: “THEMA is proud to have developed Gospel Music TV to become the reference channel for this music dear to all Africans, on the continent and in France. I have no doubt that Xxxxx, whose expertise in the musical field is unanimously recognized and who is a long-standing partner of THEMA, will be able to take this channel even further and, thanks to this merger, double subscriber satisfaction.” About Trace TRACE is a global broadcast and digital media company specialized in afro urban music and entertainment. Through its 22 pay TV channels, radios, online and mobile services, TRACE connects with a 200 million multicultural audience in more than 160 countries. Launched in 2003 following the acquisition of the eponym print magazine, TRACE has become the leading media brand for lovers of afro urban culture in Sub Saharan Africa, Europe, the Caribbean and the Indian Ocean. xxx.xxxxx.xxxxxxx. About Thema - CANAL + group company Created in 2005 by Xxxxxxxx XXXXXXXX, and acquired by CANAL+ group in 2014, THEMA now has 6 subsidiaries abroad and works with more than 10 agent offices in the main European markets. The company has a portfolio of over 180 channels and has built strong relationships with major pay-TV platforms in France, Europe, the Middle East, Africa, Asia and in the American continent. As a precursor, the company THEMA announced in 2008 the launch of its first African TV channels package on the French market. Today the African package distributes 24 channels, represents 11 countries and THEMA publishes nearly 10 other ethnic channel packages. THEMA is also creator of TV channels with NOVELAS TV, NOLLYWOOD TV, NOLLYWOOD EPIC and KANA...
DIFFUSION d’informations et de publications scientifiques, avec ou sans droit d’auteur Chaque membre a le droit, pour des utilisations non commerciales, de traduire, reproduire et distribuer publiquement les informations résultant directement de l’exécution du présent accord. Tous les exemplaires d’un ouvrage protégé par des droits d’auteur, produit en application de cette disposition et diffusé dans le public, doivent faire apparaître le nom du ou des auteurs, à moins qu’un auteur ne refuse expressément d’être nommé.
