Extraordinary Risk. (i) "Extraordinary Risks" are defined as, but not limited to performing acrobatic feats; suspension from trapezes or wires or like contrivances; the use of or exposure to weapons, fire or pyrotechnic devices; or the taking of dangerous leaps, falls, throws, catches, knee drops, or slides.
Extraordinary Risk. An Extraordinary Risk is defined as the performance of acrobatic feats; suspension from trapezes, wires, or like contrivances; the use of or exposure to weapons, fire, dangerous chemicals, or pyrotechnical devices; stage fighting; fencing, the taking of dangerous leaps, falls, throws, catches, knee drops or slides from or onto a level (floor, platform, or any other surface or device) where the difference in level is more than four (4) feet; and work on a rake. Within the sphere of dance the execution of choreography or staging which departs from those accepted techniques of movement and support used in dance (classical ballet, modern, jazz, ethnic or any other form of dance) is also defined as an Extraordinary Risk. There will be consultation between Equity, the Ballet, stage management and the Deputies as to what constitutes an Extraordinary Risk.
Extraordinary Risk. (1) An Actor may not be called upon to perform "extraordinary risk" unless the Actor agrees in a rider to the Actor’s contract, and is paid not less than $10 per week in addition to his contractual salary. Payments shall begin with the first day of rehearsal or when the act becomes “extraordinary risk,” whichever proves to be the initial period of risk.
Extraordinary Risk. (1) If the Actor is called upon to perform acts of “extraordinary risk,” the Actor must agree in writing by means of a rider to his contract. This rider must identify the extraordinary risk(s) to which the Actor is exposed.
Extraordinary Risk. EMPLOYER and AGMA agree that no ARTIST shall be asked to perform an activity which is deemed unsafe, and all appropriate safety precautions will be taken for all activities. The term "Extraordinary Risk" shall be applied to a performance, rehearsal, on- stage technical rehearsal or Dress Rehearsal which entails one or more of the following high risk feats for an ARTIST:
(1) suspension from trapeze, wire or like contrivance more than four (4) feet above stage floor;
(2) performing on stilts or like devices which place ARTIST's feet more than four (4) feet above stage floor;
(3) handling live and/or loaded explosive or pyrotechnic devices (for example, fireworks, a device used to produce an explosion), licensed or unlicensed;
(4) handling fire or performing near or around fire;
(5) any other form of high risk feat endangering ARTISTS to injury as mutually determined by a local AGMA Committee and the EMPLOYER prior to the first performance. Notwithstanding the foregoing, performing on any construction or apparatus built above the stage floor or orchestra pit, regardless of height, shall not be considered "Extraordinary Risk" if it is of such stability, width, and protective danceability and having such railings as may be necessary to assure the safety of the ARTISTS as mutually determined by a local AGMA Committee and the EMPLOYER. For each instance of Extraordinary Risk mentioned above per three-hour segment, the ARTIST shall be compensated at the rate of $47.50 for each rehearsal, up to a maximum of $190.00. In addition, for each instance of Extraordinary Risk mentioned above per three-hour segment, the ARTIST shall be compensated at the rate of $47.50 for each on-stage technical rehearsal, each Dress Rehearsal and each performance. By way of example, the ARTIST shall receive a total of $47.50 regardless of how many explosive or pyrotechnic devices (an instance of extraordinary risk) the ARTIST has operated during the three-hour segment. However, if that same ARTIST also engages in a different instance of extraordinary risk (e.g. stilts) during that same three-hour segment, the ARTIST also shall receive an additional total of $47.50 for that different instance of extraordinary risk. Any incident of Extraordinary Risk that occurs outside of the above-referenced three-hour segments will be separately compensated as set forth above. Each ARTIST required to engage in flying incorporating either horizontal or vertical movement during any Rehearsal, shall be comp...
Extraordinary Risk. The term "extraordinary risk" shall be applied to a performance or on- stage technical rehearsal or dress rehearsal which entails one or more of the following high risk feats for an ARTIST:
Extraordinary Risk i. If no mutually agreed upon proper and adequate precautions are taken, the following shall constitute "Extraordinary Risk:”
Extraordinary Risk
