PRODUCER'S RIGHTS. Performer acknowledges that Performer has no right, title or interest of any kind or nature whatsoever in or to the commercial(s). A role owned or created by Producer belongs to Producer and not to Performer.
PRODUCER'S RIGHTS. Except as expressly limited by the specific provisions of this Agreement, the Producer retains, among other rights, the sole and exclusive prerogative to determine the types of production to be made, locations, schedules of productions, methods, processes and means of production, the size of its workforce and facilities and workshifts, starting and stopping times, to hire, promote, discharge or discipline for cause, including unsatisfactory work standards, qualitative or quantitative, to increase wages above the rates set forth in this Agreement for excellent work performance, qualitative or quantitative, to maintain discipline and efficiency of employees, to subcontract out work, to assign personnel special work requirements and overtime, and to do all things necessary and lawful to run its business. The foregoing list of rights reserved to Producer shall not be construed as complete or exhaustive. Accordingly, any rights not expressly limited by the specific provisions of this Agreement are reserved by, and shall be exclusive to, Producer. Such rights shall not be used directly or indirectly to illegally discriminate against any employee.
PRODUCER'S RIGHTS. Producer may exhibit, advertise and promote the Program or any portion thereof whether or not the Property is identified, in any and all media which currently exist or which may exist in the future in all countries, in perpetuity. Producer shall own all rights in and to, and University shall have no claim of any kind in or to, the Program, or any portion thereof, any film, videotapes, still photographs, sound recordings or other reproductions made hereunder. Notwithstanding any other provision of this Agreement, Producer shall have no obligation to use the Property or to include the Property in the Program, or to produce, release, distribute or otherwise exploit the Program.
PRODUCER'S RIGHTS. The Producer shall exclusively own the results and proceeds of the Filming and shall be entitled to include the Property, or any part of it, in the Picture. The Producer may exhibit, advertise and promote the Picture or any portion thereof whether or not the Property is identified, in any and all media which currently exists or which may exist in the future in all countries, in perpetuity without the need for further payment and the Grantor unconditionally and irrevocably gives to Producer all necessary consents to enable the same. IDENTIFICATION OF PROPERTY: The rights granted herein include the right to film and photograph the Property and all structures and signs located on the Property (including the exterior and interior of such structures, and the names, logos and verbiage contained on such signs). Producer shall at its sole discretion be entitled to identify the Property by its true name or by a fictitious name.
PRODUCER'S RIGHTS. Visit Orlando hereby grants to Producer a non-exclusive, non- transferable, non-sublicensable license to use, reproduce, display, and distribute Visit Orlando’s brand, marks, logos, indicia and any content provided by or on behalf of Visit Orlando (“Advertiser Materials”) to Producer solely for inclusion within the Production.
PRODUCER'S RIGHTS. Producer’s rights in the examination and final films produced in the framework of the DocNomads course belong, jointly and in equal shares, to the three universities overseeing the course. Moral rights shall be retained by the Authors represented by the Directors. The universities of the DN Consortium shall, at their discretion, support the production of the student’s graduation film with an amount which is announced annually by the Academic Board before the beginning of the 4th semester. The original producer’s rights prevail even if a film made under the framework of DocNomads Course is partially altered, no matter the extent, subsequently to any examination period, including the graduation exams. In every public screening of the film, the DocNomads logo has to be presented in its original entirety in the final version of the film artwork even if the film artwork is re-edit for such screenings. Reference to the context of its production in the framework of the DocNomads Documentary Film Directing Joint Master Degree will be kept in the film's final credits, by mentioning the participation of the Consortium in the program, and making reference to its funding by Xxxxxxx+. For updated films, students are required to send DocNomads a copy of professional screening quality. Students are free to submit their films to festivals and other public shows, but only after the conclusion of the relevant semester’s exams. Students shall make an explicit reference to DocNomads as the framework production in the opening and closing credits. This obligation applies also to any information on the film supplied to festivals or displayed on websites and printed promotional materials. Students shall inform DocNomads about festival selection, prizes and other distinctions eared by their films produced during the course. DN Consortium shall do its best to secure the professional archiving of the exam and final degree films. DN Consortium has the right to submit any of the exercises and films (or their excerpts) made as part of the course for selection and programming to festivals and other events. Furthermore, DocNomads also has the right to use excerpts and full versions of the student’s exercises and exam films for the purpose of promotion of the course and of the students’ work, namely in the course website, in authorized third parties websites, and DVD publishing. A complete graduation film shall not be streamed on the internet or published on DVD by DocNomads earlier than ...
PRODUCER'S RIGHTS. Performer acknowledges that Performer has no right, title or interest of any kind or nature whatsoever in or to the commercial(s). A role owned or created by Producer belongs to Producer and not to Performer. SAG-AFTRA RADIO RECORDED COMMERCIALS H&R REMITTANCE REPORT PRODUCTION REPORT IMPORTANT INSTRUCTIONS
1. Use this form for Production, Use and Reuse, or Editing Reporting.
2. Make checks payable to AFTRA Health and Retirement Funds and send with a copy of this form to AFTRA Health and Retirement Funds, Xxxx Xxxxxx Xxx 00000, Xxxxxx, Xxx Xxxxxx, 00000-0000. Send talent checks with a copy of this report to your local SAG-AFTRA office and retain a copy. For inquiries to AFTRA H&R, call 0-000-000-0000 or 000-000-0000.
3. The filing by Producer of this Report shall be deemed an acceptance by Producer of the Health & Retirement Funds provisions of the applicable collective bargaining contract of SAG-AFTRA and an agreement by Producer to be bound thereby and by the Health & Retirement Funds thereafter. Retirement Funds established thereunder.
PRODUCER'S RIGHTS. Except as expressly limited by the specific provisions of this Agreement, the Producer retains, among other rights, the sole and exclusive prerogative to determine the types of production to be made, locations, schedules of productions, methods, processes and means of production, the size of its workforce and facilities and workshifts, starting and stopping times, to hire, promote, discharge or discipline for cause, including unsatisfactory work standards, qualitative or quantitative, to increase wages above the rates set forth in this Agreement for work performance, qualitative or quantitative, to maintain discipline and efficiency of employees, to subcontract out work, to assign personnel special work requirements and overtime, and to do all things necessary and lawful to run its business. The foregoing list of rights reserved to the Producer shall not be construed as complete or exhaustive. Accordingly, any rights not expressly limited by the specific provisions of this Agreement are reserved by, and shall be exclusive to, Producer. Such rights shall not be used directly or indirectly to illegally discriminate against any employee.
PRODUCER'S RIGHTS. Except to the extent specifically modified by this Agreement, all rights of management are reserved by the Producer. The rights reserved to the Producer herein are subject to other provisions of this Agreement and should be exercised in a manner consistent with them. The Producer shall exercise its rights in a manner that is correct, fair and reasonable. Without limitation, the Producer’s rights shall include:
(a) The right to maintain efficiency and order, and to discipline and discharge Guild Members in accordance with this Agreement; and
(b) The right to select, engage, classify and lay-off Guild Members; the right to establish the methods and means of production, including and determining qualification of Guild Members, the hours and dates the Guild Members are required; and the location and standards of performance; methods used to ensure security of the Producer’s property; however, the Producer shall not demote Guild Members as a disciplinary measure nor require any Guild Member to retire on the grounds of age.
PRODUCER'S RIGHTS. Producer may, if it elects, include any and all trade names, trademarks, logos, symbols, service marks and other proprietary trade designations protected by law belonging to Provider in any photographs, film and/or video and sound recordings made or taken by Producer pursuant to this Agreement, but Producer shall have no obligation to do so subject to the terms of paragraph 2, above. Provider shall not have and shall not claim any property or other interest in the Production or in any of the photographs, film and/or video and sound recordings made or taken by Producer xxxxxxxxx, and Provider acknowledges and agrees that all right, title and interest in and to the Production and in and to any and all photographs, film and/or video and sound recordings made or taken by Producer pursuant to this Agreement (including, without limitation, all rights under copyright) are the sole and exclusive property of Producer. Without in any way limiting the foregoing and notwithstanding anything to the contrary contained herein, Producer shall have the right to use, exhibit and otherwise exploit, and to license, assign and otherwise transfer to third parties the right to use, exhibit and otherwise exploit, any and all photographs, film and/or video and sound recordings made or taken by Producer xxxxxxxxx in and in connection with the Production. In addition, no licenses are granted or implied under this Agreement with respect to any intellectual property rights of Producer, except as expressly set forth herein, and in any other productions (including, without limitation, those intended for the Internet), and in connection with advertisements, promotions, publicity, clips, and merchandising throughout the universe in any and all media (whether now known or hereafter devised) in perpetuity, and Provider shall have no claim or action against Producer or any other party arising out of any use of the photographs, film and/or video and sound recordings. Provider shall not make any commercial or any other use of the Production or the fact that Producer utilized or mentioned Provider or the Material or the Services in or in connection with the Production.
