Sound System. Furnish and install one Atlas Sound AA35 70V powered mixer amplifier (35W, three-channel), one DST1 AM/FM stereo tuner by Bogen Communications, and three pairs of Speco Technologies Nexus Contractor Series 6.5" 70V metal back-can speakers (SP6NXCTUL). Locations of these components will be specified on Drawings. Furnish and install all necessary wiring between components. Speakers should be run out of the 70V output of the amplifier. The wattage setting in the high-voltage mode of use should be at 3.7W. Services, Utilities and Maintenance will be provided daily, 7 days a week, 24 hour access and use of the premises and lease amenities as necessary. The Commonwealth shall have access to the leased space at all times, including, but not limited to, the use of elevators, toilets, lights and operation of business machines without additional payment.
Sound System. In the event Licensee uses a sound system as part of its operations, the decibel level shall be kept at or below a level that minimizes the disruption of the surrounding neighborhood based on the noise limits contained in the St. Louis County Code of Ordinances.
Sound System. All non-touring attractions are required to use the DPAC in-house sound system in conjunction with this event.
Sound System. A sound system of the Artist's choice (based on consultation with the Artist's Representative) will be provided at no cost to the Artist. The professional and qualified house and monitor engineers will be provided at no cost to the Artist.
1. The house sound system must consist of high quality, professional audio components (power amps, speakers, horns, etc.) to provide clear, undistorted sound, with a distribution radius of one hundred and eighty degrees (180°) throughout the entire audience area at an evenly distributed level of 120 db with a frequency range of 40 to 15,000 cycles per second (plus or minus 3db) at a distance of thirty feet (30') from the stage with a decrease in level of no greater than 5db per 100' thereafter.
2. A minimum 3-way stereo system is preferred: Xxxxx MSL-3 with subs, EAW 850 with subs, or equivalents should be used. System power amplifiers should be Crest, Crown or Xxxxxx.
3. Preferred house mixing console is Yamaha Pm400, Soundcraft Series IV, Midas XL-3 or xxxxxx EX Series. Console should have a minimum of 32 (40 preferred) input channels. Each channel should have 4 band sweepable equalization, a minimum of 4 auxiliary sends and insert points. Console should have at least 4 (8 preferred) sub-master outputs. A desk lamp is required.
4. House signal processing rack must include:
a. Two (2) 1/3 Octave Equalizers (Klark Teknik, Urei, White)
b. Two (2) 3-way Active Crossovers
c. One (1) Yamaha Rev. 5 or Rev. 7
d. Two (2) Yamaha 900's e. One (1) Roland Rd 3000 Delay
Sound System. Microphone
Sound System. The Muzak system in the gallery is not appropriate for any purpose other than background music during a reception or dinner while guests are arriving. A sound system with a cordless microphone and Bose Speakers is included in the rental fee.
Sound System. The Promoter should provide a high quality system, multi way active.
Sound System a. The audio system in the sanctuary consists of only two (2) corded, hand-held/stand-held microphones. • The two (2) microphones may be mounted on the stage lecterns, mounted on pole stands, or held by hand. • One (1) of the two (2) microphones may be mounted on the lectern.
b. Arrangements for use of the microphones must be made with the Drury Event Coordinator no later than two (2) weeks before the event.
c. Audio arrangements must be made in writing (through the original Reservation Form, by email, or by U.S. mail).
d. Audio arrangements must be discussed and finalized with the Drury Event Coordinator during regular office hours (Monday-Friday, 8 a.m.-5 p.m.).
e. The Drury Event Coordinator will honor equipment requests only from the Authorized Event Contact Person listed on the Reservation Form.
f. University personnel will turn on the system prior to the event.
g. The microphone volume is set and cannot be adjusted.
h. The Diversity Center does not contain or have the ability to accommodate any other audio equipment (e.g., lapel microphones, CD/cassette/MP3 players, additional microphones, etc.).
i. Renter is prohibited from tampering with the sound system, accessing and/or adjusting the audio board, and/or attempting to plug/wire additional equipment into the The Diversity Center audio system. • Any persons found tampering with or attempting to add additional components to the Chapel’s audio system will be removed from the facility. • Any non-University equipment found plugged/wired into the Chapel’s audio system will be removed immediately.
j. If the Renter desires audio and/or video equipment beyond that offered above, the Renter must provide such on his/her own.
k. The rental, setup, cost, and operation of all non-University equipment is solely the responsibility of the Renter.
l. Any non-University equipment used in the Chapel must be completely self-contained (i.e., have its own speakers, board, amplifiers, cords, microphones, etc.).
Sound System. 1. A SOUND CHECK IS MANDITORY. During the performance the sound will be mixed by a representative of the Artist who is to have complete control of the house mix. A house electrician and engineer must be available throughout the entire sound check and performance. The sound system must be operable at least 3 hours prior to doors opening and available for sound check.
Sound System. 1. A SOUND CHECK IS MANDITORY. During the performance the sound will be mixed by a representative of the Artist who is to have complete control of the house mix. A house electrician and engineer must be available throughout the entire sound check and performance. The sound system must be operable at least 3 hours prior to doors opening and available for sound check. IMPORTANT: All monitors and speakers must be tested and tuned, all mics and mic stands must be set up, ready for placement and connection prior to the band’s load-in. There is (attached) a detailed stage plot and mic chart allowing staff to set up the stage sound support without the band present. Artist needs a minimum of one (2) hours of fully functional stage for reviewing monitors and FOH house sound checks ending no later than one half hour (30 minutes) before doors open. Due to the unique sound requirements of KALIMBA it is absolutely mandatory that, no matter what the circumstances of the concert are, a full monitor check will be provided. The performance will not begin until the band is fully satisfied with the monitor mix. If a full monitor check cannot be so provided, then this contract cannot be completed and the engagement will be considered cancelled by Operator and no deposit paid by Operator will be refunded. The monitor check will be at the sole direction of Xxxxx Xxxxxx Xxxxx. The sound check sequence must be as follows:
a. Before load-in, sound company personnel shall conduct a room tuning and calibration utilizing methodology of the sound contractor and audio engineer’s choosing order to obtain as close to a flat response as possible.
b. The sound check will be conducted by the Kalimba band leader Xxxxxx Xxxxx (Chazz) and assisted by the Kalimba Tech/Audio Engineer Xxxx Xxxxxx.
2. If an opening act sound check following KALIMBA, they must not use the channels previously assigned to KALIMBA, and all other settings MUST be marked and returned exactly to those set at the KALIMBA sound check. The channels assigned to KALIMBA must be MUTED, (not turned down) at the console. Levels must remain EXACTLY the same as at sound check. Please ensure that all audio and production personnel are fully aware of this.
3. If more than 50% of the console channels must be shared with another act or acts with dissimilar instrumentation to that of KALIMBA, then another house console should be provided for Xxxx Xxxxxx (253-691-5689) (xxxxxxxxxx@xxxxxxx.xxx) It is vital that copies of the rider and th...
