Performance Weeks Sample Clauses

Performance Weeks. The weekly fee for performance weeks is inclusive of sound checks / cue-to-cue rehearsals with the company in each venue, performances and overtime and it covers activities such as occasional education events and post-show discussions, except work on statutory holidays. UK weekly touring fee £769.92 Overseas weekly touring fee £812.21 MD supplements will be paid according to the MU/SGT House Agreement (page 11).
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Performance Weeks performance contract
Performance Weeks. (1) All rehearsals during performance weeks in New York City and out-or-town shall be compensated at the applicable rate per hour or fraction thereof. (2) All rehearsals beyond four (4) hours on a one-performance day, and six (6) hours on a non-performance day, shall be compensated at the overtime rate for each hour, or fraction thereof.
Performance Weeks. (a) The ARTIST may be called upon to rehearse during each Performance Week without the payment of additional compensation provided that: 1. The ARTIST shall not be required to render any service in excess of two (2) hours on a one (1) performance day unless there is a Technical and/or Dress/Technical Rehearsal, when the ARTIST shall not be required to rehearse in excess of three (3)
Performance Weeks. DANCER may not be required to rehearse more than four (4) hours on a one-performance day or more than six (6) hours on a non-performance day without overtime compensation.
Performance Weeks. Performances shall last a maximum of 3 hours including an interval. Any additional time over 3 hours (2 hours and 20 minutes for 12 show contracts) will be paid at the appropriate overtime rate but in a COVID-19 situation, whereby safety measures for Staff and/or audience in the building result in a longer interval or an earlier call time or later finish because of such measures, no overtime or extra pay shall be paid for the period of such time that these measures lengthen a musicians call. If the engagement is for up to 8 performances per week, performance salaries shall be pro­ rated to the actual number of performances performed under 8, subject to a minimum payment equivalent of 66% of the weekly salary. If the engagement is for up to 12 performances per week, performance salaries shall be pro­ rated to the actual number of performances performed under 12, subject to a minimum payment equivalent of 66% of the weekly salary. In a week where the number of performances is reduced, the Manager may designate any such additional non-performance day(s) as part of the Musician's holiday entitlement and pay holiday pay accordingly. A third performance may be scheduled on one day of an 8, 9, or 10 show week, provided that the break provisions of the standard Agreement are observed. Additional performances in excess of he contracted number of performances shall be paid as per the standard Agreement. In the event of a reduced schedule, three performances may be scheduled on any one day without additional payment, provided that the break provisions of the standard Agreement are observed. If three performances are scheduled on one day, there will be no pro-rating applied to the performance salary for the week.
Performance Weeks a) Performance Definition A Performance is an appearance which counts as three (3) hours and includes all of the following elements: 1) All performing ARTISTS shall appear in full costume and make-up. 2) All scenery, lighting, props and costumes are utilized. 3) Full orchestra or performance music utilized. 4) There is a paying audience. 5) The program presented is a full performance. b) Performance Week A Performance Week is a week commencing on Monday and ending on Sunday, during which at least one (1) performance is given If a contract begins on any day other than Monday, the ARTIST shall be paid on a pro rata basis of one-sixth (1/6) of his agreed-upon weekly salary for all days preceding the beginning of the week. Two (2) Lecture/Demonstrations do not convert a Rehearsal Week to a Performance Week. c) Maximum Number of Performances The ARTIST may be required to take part in not more than seven (7) performances per week on tour and not more than eight (8) performances per week in the City of Origination. If the ARTIST shall be required to take part in more than seven (7) performances in any week while on tour or more than eight
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Performance Weeks. CHORISTERS shall not be required to rehearse more than four (4) hours on a one performance day and six (6) hours on a non-performance day, without overtime compensation.
Performance Weeks. (1) No PRINCIPAL SINGER shall be required to rehearse more than six (6) hours on a non-performance day or more than four (4) hours on a day in which he/she is scheduled to perform, without overtime compensation. (PRINCIPAL SINGERS singing "Leading" Roles shall not rehearse on performance days except at the request of the PRINCIPAL SINGER.) (2) A PRINCIPAL SINGER who is scheduled for more than two (2) hours of rehearsal on a day of performing a "Featured" Role may request, in writing, no less than six (6) hours in advance of that rehearsal, to be excused from rehearsing on that day beyond two (2) hours, which request shall be granted by EMPLOYER.
Performance Weeks. There shall be a minimum of two (2) Performance Weeks. During Performance Weeks, Artists may be required to work eight (8) performances and one, five- hour rehearsal. Such rehearsal shall be primarily for the purpose of preparing a different Artist to assume a role and shall not be scheduled on a two-performance day. Employer shall not schedule more than eight (8) performances per week, or more than two (2) performances per day.
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