Production Budget. Licensor agrees to produce (and/or acquire the worldwide rights to) Output Programs. For the purposes of calculating the Program License Fee for the Output Programs, the Output Programs for Fiscal Year 1 will carry an actual total production/acquisition cost (the "Production Budget") of no more than * * * The Production Budget for each Fiscal Year may increase by no more than * * * over the prior Fiscal Year, except by agreement of Licensor and Licensee. The Production Budget for Fiscal Year 1 will include overhead of no more than * * *, and overhead may increase in subsequent Production Budgets by no more than * * * per year (the "Overhead Cap"); provided, however, that in any Fiscal Year that Licensor exercises the Production Supply Option (as described in Section 6.2(h)), the overhead in that year's Production Budget will be reduced pro rata with respect to the overhead that would have been includible had Licensor not elected the Production Supply Option (without otherwise affecting the growth of the Overhead Cap in Fiscal Years in which the Production Supply Option is not in effect).
Production Budget. For purposes of this Agreement, the calculation of the “Production Budget” of any music video shall include all costs of making the music video. The Company shall notify the performer and/or his or her agent at the time of notice of audition (or, if no audition takes places, at the time of booking) whether a Production Budget is expected to be above or below $200,000. SAG-AFTRA may audit the reported production budget of any music video to verify compliance with the terms of this Agreement.
Production Budget. 14 6.2(c) Licensor Production Obligations..................14 6.2(d) Calculation of License Fee for Output Programs...15 6.2(e)
Production Budget. In addition to the foregoing Minimum Annual Guaranteed Royalties, Publisher shall pay TPR a development fee (the “Production Budget”) per year as set forth below in consideration for TPR’s art and editorial contributions to the Works, and for the reproduction materials for the Works to be provided to Publisher by TPR as more particularly set forth in Paragraph 8 above and on Schedule 2 (Copyediting Schedule) (such services and deliverables together the “Development Services”). The Production Budget shall be payable to TPR as follows in equal quarterly installments on March 31, June 30, September 30, and December 31 of each Calendar Year of the Term less any applicable charge backs as set forth in the Copyediting Schedule and provided TPR has provided the Development Services in such Calendar Year: 2012: [CONFIDENTIAL TREATMENT REQUESTED] 2013 : [CONFIDENTIAL TREATMENT REQUESTED] 2014 : [CONFIDENTIAL TREATMENT REQUESTED] 2015 : [CONFIDENTIAL TREATMENT REQUESTED] 2016 : [CONFIDENTIAL TREATMENT REQUESTED] 2017 : [CONFIDENTIAL TREATMENT REQUESTED] 2018 : [CONFIDENTIAL TREATMENT REQUESTED] For the avoidance of doubt, the Production Budget shall not be payable in a Calendar Year if an Event of Non-Performance or Brand Discontinuance has occurred.
Production Budget. £3m and over (+280%) £1-3m (LBF) (+75%) Under £1m (VLBF) (+50%) Daily £138.00 £524.40 £241.50 £207.00 Weekly (5 days) £552.00 £2,097.60 £966.00 £828.00 Fittings / Travel Days: 1/2 of negotiated Daily Basic Performance Salary Post-Synchronisation2: Up to 5 hours - 1/2 of negotiated Daily Basic 5 hours or more - negotiated Daily Basic Performance Salary (inc. Use Fees) STUNTS Minimum Rate (inc. Performance Salary and Use Fees) Stunt Performer Stunt Co-ordinator Daily £575.00 £730.00 Weekly (5 days) £2,300.00 £2,920.00 Overtime: 1/7 of negotiated Daily Rate (no maximum) Fittings: £138.00 Travel Days: 1/2 of negotiated Daily Rate Stunt Insurance Daily: £18.00 Stunt Insurance Weekly: £36.00 SESSION SINGERS (Calculated based on total hours of employment (no. of sessions x no. of hours per session x no. of singers) VOICEOVERS (Including re-voicing and commentary) ADR (Creation of atmosphere and general characteristics, sounds and dialogue to fit with action, often over crowd scenes) ADR session rate (4 hours): £300.50 inclusive of Use Fees ADR session rate (LBF/VLBF): £98.00 plus applicable Use Fees APPLICABLE TO ALL ENGAGEMENTS Holiday pay3 £15.60 per day
Production Budget. £3m and over (+280%) £1-3m (LBF) (+75%) Under £1m (VLBF) (+50%) Daily £147.00 £558.60 £257.25 £220.50 Weekly (5 days) £588.00 £2,234.40 £1,029.00 £882.00 Travel Days: 1/2 of negotiated Daily Basic Performance Salary Post-Synchronisation2: Up to 5 hours - 1/2 of negotiated Daily Basic 5 hours or more – full negotiated Daily Basic Performance Salary (+ applicable Use Fees) STUNTS Minimum Rate (inc. Performance Salary and Use Fees) Stunt Performer Stunt Co-ordinator Daily £611.00 £775.00 Weekly (5 days) £2,444.00 £3,100.00 Overtime: 1/7 of negotiated Daily Rate (no maximum) Fittings: £147.00 Travel Days: 1/2 of negotiated Daily Rate up to five hours; full negotiated Daily Rate where in excess of five hours Stunt Insurance Daily: £19.50 Stunt Insurance Weekly: £39.00 SESSION SINGERS (Calculated based on total hours of employment (no. of sessions x no. of hours per session x no. of singers) VOICEOVERS (Including re-voicing and commentary) ADR (Creation of atmosphere and general characteristics, sounds and dialogue to fit with action, often over crowd scenes) ADR session rate (4 hours): £319.00 inclusive of Use Fees ADR session rate (LBF/VLBF): £104.00 + applicable Use Fees APPLICABLE TO ALL ENGAGEMENTS Holiday pay3 £17.70 per day
Production Budget. 14 6.2(c) Licensor Production Obligations.........................14 6.2(d) Calculation of License Fee for Output Programs..........15 6.2(e) Fixed Percentage........................................15 6.2(f) The Reset Mechanism.....................................15 6.2(g) Licensee Production Budget Option.......................16 6.2(h) Production Supply Option................................16 6.3 Maintenance of Records and Audit Rights............................17
Production Budget. The Company agrees to provide HR with the following production payments: $13,000.00 June 1, 2001 $ 7,050.00 June 17, 2001 $ 9,000.00 Upon Delivery ---------- $29,050.00 Total ----------
Production Budget. Using the CAVCO/TELEFILM budget system (or other film budget software) list the line items relevant to your project. Include dollar values for donations, in-kind, deferred services, and volunteer time. o List of all directors, officers and shareholders of Producer and any others with an option to own or control shares. o The contact information of producers, directors, and writers on this production. o Commercial liability insurance for $2m coverage per Appendix A of the Guideline. o EITHER WSIB or workers comp equivalent insurance. You may obtain this insurance through WSIB, if you have no stunts, the Accident on Set (AoS) plan; please visit xxxx://xxx.xxxxxxxxxxxxx.xxx for more information. Please note, AFBS requires a minimum of TWO BUSINESS DAYS to process the Accident on Set paperwork. Your own insurer may be able to offer a policy which is workers comp equivalent – we can advise you if it is acceptable. You will not be permitted to shoot without a valid workers comp insurance Certificate in place. o Copies of the shooting script and synopsis. o Production Schedule, Day out of Days, Shooting Schedule, Locations List. o A list, with script page numbers, disclosing all scenes of violence, nudity, semi-nudity, intimacy or sexual content.
o A list of principal and actor roles available in your project and the approximate number of shooting days required for each role. Include the Total Number of Performer Workdays. Include copies of character breakdowns and state principal and actor category. o Number of days where Background Performers are required. Description of role of background character and breakdown.
o A list of all roles to be played by minors with a description detailing special provisions you will be taking. o All Minor forms (Appendix 14 of the IPA) to be completed as per the IPA prior to work date.
o A list of all stunts with a description detailing special provisions being taken. Please be aware that the definition of an action that requires a stunt performer is not necessarily something spectacular. Any action where even a minor injury is a risk should be performed by a stunt double.
Production Budget. CITY, in its sole discretion shall determine the annual Production Budget for the EVENT, which shall be signed by both parties and incorporated into this Agreement as an Addendum pursuant to Section 19, and PRODUCER shall be compensated as detailed herein. PRODUCER shall submit invoices per the payment schedule listed in Section 7.2. for services performed, detailing any reimbursable costs, and any other information requested by the CITY.
