Promotional Rights. All marketing or promotional designs, brochures, advertisements, concepts, literature, books, media rights, rights against any other Person in respect of any of the foregoing and all other promotional properties, in each case primarily used or useful or developed or acquired by the Seller for use in connection with the ownership and operation of the Purchased Assets;
Promotional Rights. (a) Throughout the Term, Client shall grant the following rights to SeeTicketsthe non-exclusive right to use images of Client and Event(s) logos and signage from Event(s) in SeeTickets’ promotional and marketing materials, both during and following the Term.
(b) Client acknowledges and agrees that if Client contributes, provides or makes available any content to Event(s)’s website (the “Event(s) Site(s) Content”), Client grants to SeeTickets a non-exclusive, worldwide, royalty-free, non-transferable, non-sublicensable (except to third party vendors but solely for providing services for SeeTickets and not for their own use) right and license to use, reproduce, adapt, modify, distribute, translate, publish, create derivative works based on, perform, display and otherwise exploit Event(s) Site(s) Content, in whole or in part, in any media now known or hereafter developed, in connection with SeeTickets’ promotion and sale of Tickets as well as for use in SeeTickets’ promotional and marketing materials both during and following the Term. Client may terminate this license at any time by delivering written notice to SeeTickets and un-publishing all applicable Event(s) listings from the Event(s)’s website (provided that if Client re-publishes any Event(s) listings, the license shall be deemed to be renewed).
Promotional Rights. The parties confirmed that the rights derived from the services of employees performing their regular duties covered by the Agreement include the right to exploit the proceeds of their services and their likeness, image or voice in the promotion, marketing or exploitation of the motion picture. The foregoing does not apply when the likeness, image, or voice appear in the motion picture itself. Xxxxxxx Xxxx January 1, 2017 The IATSE will continue its past practice of considering timely requested waivers to permit additional workweek shifts related to a scheduled holiday hiatus and/or travel to or from an overnight production location. Each party to the 2017-2019 Low Budget Theatrical Agreement hereby confirms its concurrence with the foregoing by its execution of this Sideletter at the place provided below. Sincerely, BY: ACKNOWLEDGED AND AGREED: INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYES BY: Xxxxxxx Xxxx, President International Alliance of Theatrical Stage Employes 000 Xxxx 00xx Xxxxxx, 0xx Floor New York, NY 10001 The following is intended to memorialize the agreement and understanding reached between the parties to the above Agreement during the course of its negotiation. A Director of Photography (“DP”) and the Producer of the film may request that the DP be permitted to also function as a Camera Operator. Such request must be made in writing during the film’s pre-production and directed to the IATSE with a copy to the appropriate Camera Local. The IATSE shall have the authority to grant such request based upon special needs or extraordinary circumstances. The agreement of the DP to operate the camera shall not be a condition of the DP’s employment and the DP and Producer shall confirm same in their request. Each party to the 2017-2019 Low Budget Theatrical Agreement hereby confirms its agreement with the foregoing by its execution of this Sideletter at the place provided below. Sincerely, BY: ACKNOWLEDGED AND AGREED: INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYES BY: Xxxxxxx Xxxx, President International Alliance of Theatrical Stage Employees 000 Xxxx 00xx Xxxxxx, 0xx Floor New York, NY 10001 Re: Published Sideletter Three to the 2017-2019 Low Budget Theatrical Agreement During the course of negotiations for the 2017-2019 Low Budget Theatrical Agreement the parties agreed to include the classifications of Location Managers and Assistant Locations Managers as covered classifications in recognition that the IATSE represents such employees ...
Promotional Rights. Licensor hereby grants to Licensee the following rights with respect to each Included Program:
9.1.1 the right to use the Promotional Materials in the form supplied by Licensor including, but not limited to, the right to create and/or use, written summaries, synopses and extracts for the purpose of advertising, exploitation and publicity of the exhibition of the Included Programs exhibited on the Licensed Service;
9.1.2 the right to advertise, publicize and promote the exhibition of the Included Programs by other materials, means or media selected by Licensee (it being understood that Licensee shall not utilize any such advertising rights as an endorsement of (or commercial tie-in with) any product or service other than with respect to the exhibition of such Included Program on the Licensed Service);
9.1.3 the right to manufacture and produce its own promotional and publicity materials subject to Licensor’s prior written reasonable approval (not to be unreasonably withheld or delayed) of such materials;
9.1.4 the right to use the names, voices, images and likenesses of any and all actors, cast members and other persons who rendered services in or are connected to the production of any Included Program, and Licensor’s name and logo, in order to publicize and/or advertise such Included Program; provided that (i) any and all such uses shall be subject to Section 9.2 hereof, and (ii) no such advertising, promotion or publicity shall constitute an endorsement of any product, service or person by Licensor, its Affiliates, or any person associated with any Included Program; and
9.1.5 the right to exercise all or any combination of the rights set forth in Sections 9.1.1 through 9.1.4 above in conjunction with Licensee’s advertising and/or promotional activities, including, without limitation, on or in connection with one or more xxxxxx channels.
Promotional Rights. The Intellectual Property set forth on Schedule ------------------ 6.8 includes all call signs and trademarks that Seller is transferring to Buyer, used to promote or identify the Stations. Except as set forth on Schedule 6.8, the Intellectual Property is in good standing and uncontested by any third party. Except as set forth on Schedule 6.8, Seller has no Knowledge of any infringement or unlawful or unauthorized use of those promotional rights, including the use of any call sign, slogan or logo by any broadcast or cable stations in the Richmond metropolitan area that may be confusingly similar to those currently used by the Stations. Except as set forth on Schedule 6.8, to the Knowledge of Seller, the operations of the Stations do not infringe, and no one has asserted to Seller that such operations infringe, any copyright, trademark, tradename, service xxxx or other similar right of any other party.
Promotional Rights. GLO retains the right to showcase any deliverables as case studies on the GLO website and in other promotional materials. The purpose is to highlight GLO's expertise and portfolio. If the Client wishes to exclude specific proprietary information or designs from being showcased, such a request must be submitted in writing.
Promotional Rights. Subject to Client’s prior written approval for any such usage, Rootstrap reserves the right to utilize the Work Product for promotional and marketing purposes, including on Rootstrap’s Internet website(s) and social media pages, and Client grants to Rootstrap the right and license to utilize Client’s name, logo(s) and trademark(s) in connection with such promotional and marketing efforts.
Promotional Rights. The parties confirmed that the rights derived from the services of employees performing their regular duties covered by the Agreement include the right to exploit the proceeds of their Xxxxxxx Xxxx January 1, 2010 services and their likeness, image or voice in the promotion, marketing or exploitation of the motion picture. The foregoing does not apply when the likeness, image, or voice appear in the motion picture itself.
Promotional Rights. The Intellectual Property set forth on Schedule 6.8 includes all call signs and trademarks that Seller is transferring to Buyer, used to promote or identify the Stations. Except as set forth on Schedule 6.8, the Intellectual Property is in good standing and uncontested by any third party. Except as set forth on Schedule 6.8, Seller has no Knowledge of any infringement or unlawful or unauthorized use of those promotional rights, including the use of any call sign, slogan or logo by any broadcast or cable stations in the Richmond or Petersburg metropolitan areas that may be confusingly similar to those currently used by the Stations. Except as set forth on Schedule 6.8, to the Knowledge of Seller, the operations of the Stations do not infringe, and no one has asserted to Seller that such operations infringe, any copyright, trademark, tradename, service mark or other similar right of any other party.
Promotional Rights. (a) Throughout the Term, Client shall grant the following rights to SeeTickets: (i) the right to require that a qualified representative of Client be available for comment(s) in SeeTickets’ press interviews, press releases and blog posts relating to the Event(s); (ii) the right to require that a qualified representative of Client cooperates in both a video and written case study (e.g., participating in an interview, as well as providing Client-developed photos and footage from Event(s)) to be used by SeeTickets in promotional and marketing materials both during and following the Term; (iii) the right to require that a qualified representative of Client be available for participation, at SeeTickets’ sole expense, in industry event panels and webinars; (iv) the non-exclusive right to use images of Client and Event(s) logos and signage from Event(s) in SeeTickets’ promotional and marketing materials, both during and following the Term; (v) the non-exclusive right to create and use footage and photos from Event(s) for SeeTickets’ promotional and marketing materials, both during and following the Term; (vi) a minimum of two (2) “all access” press/guest passes for each individual Event and after-party, to be used by SeeTickets’ marketing representatives;
