RECORDING PROCEDURE Sample Clauses
RECORDING PROCEDURE. 4.1 All matters .concerning the recording procedure of Masters herein shall be determined by Company, including, without limitation; (1) selection of producer(s); (2) selection of material. including the number of Compositions to be recorded; and (3) the specification of dates of recording and studios where recording is to take place, including the cost of recording herein.
4.2 Each Master Recording made hereunder shall bc subject to Company's approval that such recordings be technically and commercially satisfactory for the manufacture and sale of Phonograph Records
4.3 No "live" Recording or Recordings will apply in fulfillment of Your Recording Commitment nor will Company be required to make any payment in connection with any such Recording, unless Company agrees in writing or such Recording is actually released by Company. No Composition previously recorded by You will be recorded under this agreement. No Joint Recording or other recording not recorded and Delivered in full compliance with the material terms and conditions of this Agreement will apply in fulfillment of Your Recording Commitment, nor will Company be required to make any payments in connection with any such Joint Recording other than royalties due You hereunder, even if such Joint Recording is actually released by Company.
4.4 Nothing in this agreement shall obligate Company to continue or permit the continuation of any recording session or project, even if previously approved hereunder, if Company reasonably anticipates that the Recording Costs will exceed those specified in the approved budget or that the Recordings being produced will not be commercially satisfactory.
4.5 No Recordings shall bc made by unauthorized dubbing.
4.6 If for any reason You unreasonably delay thc commencement of or are unavailable for any recording sessions for the Masters, You shall, upon Company's demand, pay Company an amount equal to the charges paid or incurred by Company by reason thereof. Company may, without limiting its other rights or remedies hereunder, deduct such amounts from monies payable to You hereunder.
RECORDING PROCEDURE. Article IX
RECORDING PROCEDURE. 16 Any recording of a meeting grievance procedure shall be with the full knowledge of all the 17 parties involved with the meeting. The party recording the meeting shall make available, 18 upon request, copies of the recording to the other parties. 19 20 22 23 ARTICLE IX 24 25 26 27 NEGOTIATIONS PROCEDURE 28 29
RECORDING PROCEDURE. 4.01. You will conduct recording sessions only after first obtaining Universal's written approval of the individual producer, the places of recording, the Compositions to be recorded and the Authorized Budget. You will request such approvals at least fourteen (14) days prior to the proposed first date of recording, and Universal will not unreasonably withhold any such approval. If Universal disapproves any of the foregoing, you will promptly submit alternative proposals, but in all instances you will allow Universal a reasonable period of review prior to the proposed first date of recording. Universal will approve any first-class recording studio provided (i) its use would not be inconsistent with any of Universal's union agreements, (ii) its use would not cause labor difficulties for other reasons, (iii) the studio takes appropriate measures (as determined by Universal in its sole discretion) to secure any material recorded on its premises, and (iv) Universal does not anticipate that its use will require expenditures inconsistent with the Authorized Budget. You and Artist acknowledge the importance of securing all Recordings made hereunder and of preventing “leaks” of Recordings, and you and Artist will cooperate with Universal in taking measures to insure that Artist’s Recordings are not made available to any Person other than Universal without prior written authorization from Universal. The scheduling and booking of all studio time will be done by Universal.
4.02. You will engage all artists, producers, musicians, and other personnel for the recording sessions hereunder, but only after you submit a written budget listing all Recording Costs to be incurred in connection therewith and after you receive written approval of such budget signed by one of Universal's officers (the "Authorized Budget"). The Authorized Budget may provide for payment to you and Artist of no more than union scale for your and Artist's services (subject to paragraph 5.01) and will not contain a charge for arrangements or orchestrations supplied by you or Artist. The Authorized Budget will constitute the maximum amount that you may expend for the applicable session or sessions. The granting of authorizations and the approval of Authorized Budgets are entirely within Universal's discretion. Universal agrees to approve as an Authorized Budget a realistic and legitimate budget for any particular Album that does not exceed eighty-five percent (85%) of the then remaining applicable Recor...
RECORDING PROCEDURE informal conversation All participants engaged in the informal part of the recordings before the formal part. As such, there was a transition from a kind of small talk in the beginning to formal communication in the end. This coincides with Xxxxx’x description of the natural development of interaction during ELF business encounters (2009). Following Xxxxxxxx et al. (2010), we tried to make the Spanish participants think that the confederate in the informal part of the recording was just another regular participant. By doing so, we created a speech situation in which the Spanish participant and the Dutch confederate were peers. Approximately ten minutes before the Spanish participant was expected to arrive, the Dutch confed- erate of the corresponding sex (henceforth Confederate 1) also went to the meeting point and waited for HK, as did the Spanish participant. At the agreed time, HK went out to meet the Spanish participant and Confederate 1. XX introduced himself to both and introduced them to each other. XX then asked them to wait outside while he made some final preparations. Confederate 1 was instructed to use this time to start up a conversation in order to try and break the ice. HK started the audio and video recordings before returning to get the interlocutors. When entering the recording booth, Confederate 1 always took the same seat, leaving the chair at the head of the table for the Spanish participant. Both interlocutors were asked to put on their microphones and then HK told them that he would leave to get the task they were going to perform, and that it would be good for the project if, in the meantime, they got to know each other. HK did not explicitly mention the recordings, so that the Spanish participant would remain in doubt about whether they would start immediately or only after the speakers had received their task. For this initial part of the informal conversation, Confederate 1 had been instructed to discretely let the Spanish participant speak most of the time. Moreover, in order to diminish the Spanish participants’ potential reluctance about speaking English, Confederate 1 was instructed to make the Spanish participants feel at ease and compliment them on their English if they expressed doubts about their proficiencies. Most conversations started with the interlocutors continuing to introduce themselves: they spoke about their education and daily lives. Quite quickly the conversations turned to other topics, such as the city of Ma...
RECORDING PROCEDURE. 5.1 The selection of musical compositions to be recorded the engagement of producers and other creative personnel and the terms of such engagement the studios the method and manner of recording, the choice of artwork for the initial release of Records embodying the Minimum Recording Commitment and the choice of Singles shall be mutually agreed between Company and the Artist both acting in good faith.
5.2 Each Master made by the Artist shall be subject to the approval of Company (acting reasonably and in good faith) as being technically satisfactory for the manufacture of Records and the Artist will at the request of Company repeat any performance until Masters reasonably acceptable to Company are obtained.
5.3 All recording costs incurred in connection with the production of Masters under this Agreement shall be paid by Company and provided such recording costs shall have been agreed by the Artist shall be treated as an expense deductible from Gross Income under clause 9 below. The recording budget shall be mutually agreed by Company and the Artist. Any excess costs over and above the recording budget that are incurred due to either party’s wilful neglect, omission or default shall be deducted from the offending party’s share of Net Income under clause 9 below.
RECORDING PROCEDURE. Producer shall supply to Employer , a fully mixed Master in the following forms: Two-Track stereo mix of Master commercially satisfactory to Employer for use on a record (“Record”). Data Disk(s) in either DVD-R or CD-R format containing all stereo two-track mixes of the Master created under the terms of this agreement, and all original multi-tracks used in in the creation of the Master in a data format of Employer's choice. All Masters supplied hereunder shall be listed and attached to this Agreement as Schedule "A" List Of Beats.
RECORDING PROCEDURE. (a) (i) In connection with Masters to be made hereunder, the following matters shall be determined by Company: (1) selection of the producer; (2) the number of Compositions to be recorded; (3) selection of the
RECORDING PROCEDURE. Recording sessions for the Master will be conducted by Employer at Employer's sole cost and expense. Employer shall pay all Recording Costs of the Masters recorded hereunder as and when due. Producer shall deliver to Employer upon completion, a fully mixed, edited, and equalized Master (including but not limited to a final two-track equalized tape copy, CDR or DVD) commercially satisfactory to Employer for use on a record (“Record”), and all original and duplicate Masters of the music, lyrics and all other material recorded. Producer shall act diligently in completion of the Master. All songs recorded hereunder shall be listed and attached to this Agreement as Schedule "A" List Of Songs.
RECORDING PROCEDURE. Producer shall deliver to Client upon completion, a fully mixed, edited, and equalized Master in a format to be mutually agreed to by the parties, commercially satisfactory to Client for use on a record (“Record”), and all original and duplicate Masters of the music and all other material recorded. Producer shall act diligently in completion of the Master. All songs recorded hereunder are as follows: Title (beat name below) Owner of Music “ ” Xxxxx Xxxxxxxx (100%)