ARTS AND CULTURE Sample Clauses

ARTS AND CULTURE. (a) Recalling that India and Mauritius share unique bonds based on their shared cultural heritage and traditions, the Parties acknowledge the importance of: (i) generating cultural awareness at the grass root level; (ii) promoting cultural exchanges at the international level; (iii) connecting the Indian diaspora with their motherland; (iv) collaborating on the setting up of appropriate infrastructural facilities for the promotion of arts and culture (b) The Parties agree to: (i) jointly develop a schedule for collaboration in promoting Indian culture in the context of organizing cultural events including: • training in spoken and creative writing • mounting of a permanent sound and light show at the AapravasiGhat • digitalization of archival documents as well as restoration of paintings • management and preservation of cultural heritage • training in dramatics for Culture Cadre (ii) establish a collaborative framework between universities and relevant institutions to offer training in spoken and creative writing. (iii) collaborate for the construction of the National Art Gallery.
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ARTS AND CULTURE. 1. The Parties agree to facilitate the tours of at least 10 major performing arts groups from each side during the period of this Program. If one Party sends more than 10 major performing arts groups, the other Party will be accorded the opportunity to send a like num- ber of additional groups. The detailed arrangements for tours of these groups will be pro- vided for in contracts to be concluded between the following entities: for tours of Soviet groups - between concert organizations of the Union of Soviet Socialist Republics and ap- propriate organizations or impresarios in the United States of America; for tours of Amer- ican groups between the concert organizations of the Union of Soviet Socialist Republics and the Embassy of the United States of America in Moscow or authorized representatives of the groups. The receiving side, taking into consideration realistic possibilities, will seek to satisfy the wishes of the sending side concerning performance fees, the timing and the duration of tours and the number of cities visited. 2. The Parties agree to facilitate the tours of at least 10 individual performers from each side during the period of this Program. If one Party sends more than 10 individual perform- ers, the other Party will be accorded the opportunity to send a like number of additional in- dividual performers. The detailed arrangements for these tours will be provided for in contracts to be concluded between the following entities: for tours of American performers between the Embassy of the United States of America in Moscow or authorized representatives of the performers, and concert organizations of the Union of Soviet Social- ist Republics; for tours of Soviet performers - between appropriate organizations or impre- sarios of the United States of America and concert organizations of the Union of Soviet Socialist Republics. 3. To facilitate the exchange of performing artists, the receiving side will provide a for- mal answer to a proposal or information about the status of review within thirty days of the receipt of the proposal. Proposals in this area in written form, as well as promotional mate- rial, will be presented by both sides in a timely fashion. The two sides will carry out regular consultations relative to the negotiations on performing arts questions and exchange lists of current and future participants in the performing arts programs. 4. For the tours of the groups and individuals, the Parties will take all appropriate mea- su...
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ARTS AND CULTURE. Exchange of Performing Arts Groups and Soloists (Article III, paragraph 1 and 2): In arranging for exchanges by major performing arts groups, the Parties shall consider non-currency and no-fee contracts, where mutually agreeable to both participants, as a means of fostering such exchanges. The size of payments of performance fees to American artistic groups and performers, both in Soviet rubles and American dollars, will be deter- mined in each specific instance by means of bilateral negotiations and the signing of a con- tract between concert agencies of the Union of Soviet Socialist Republics and the appropriate American impresario. The Soviet side, as necessary, is prepared to consider the possibility of conversion of the xxxxx portion of performance fees for the indicated category of individuals into U.S. dollars. Exchanges of Delegations and specialists (Article III, paragraphs 8 and 9): The receiving side will provide for the costs of maintenance, accommodations and in- ternal travel for delegations and specialists exchanged between the Parties under this Pro- gram. Conditions for these exchanges will be agreed upon in each specific case. Maintenance will be paid in accordance with current rates in each country. A. Teachers (Article III, paragraph 5): Conditions for exchanges of teachers will be the same as those for Lecturers under Higher Education, Article I, Section E, with the following exception: the receiving side will provide participants with a monthly stipend, the first allotment to be paid upon arrival in the receiving country: In the United States of America - at least 700 dollars a month In the Union of Soviet Socialist Republics - at least 550 rubles a month. The level of stipends will be subject to revision by mutual agreement of the two sides during the course of the program. B. Students (Article III, paragraph 6): 1. The Parties will exchange lists of candidates and essential information about each candidate and his or her program by January 15 for the following academic year. Copies of the correspondence will be sent to the Ministry of Culture of the Union of Soviet Socialist Republics. No additional candidates will be accepted after this basic exchange of xxxx- xxxxx. The information presented for each candidate will include full biographic data, pre- vious and current study and professional experience, publications, details of the proposed program, the names of proposed host institutions, and names of institutions and specialists w...
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ARTS AND CULTURE. ‌ The parties agree the key issues to be addressed are: • recognition of cultural development as a vital component in the life and growth of the community; • development of opportunities for increased participation, employment and investment in cultural activities and culturally-based enterprises; • the protection and management of Southern Midlands Council’s cultural heritage assets; • highlighting and celebrating the distinctive cultural features of the region; • facilitating wider community engagement with art and cultural activities; • fostering new tourism opportunities through arts and cultural experiences; • the need to identify the unique cultural product of Southern Midlands Council, as a basis for increased participation in strategic tourism industry development, training, marketing and promotional activity opportunities; and • continued development and support by the Council for events with the capacity to attract visitors and celebrate local pride and identity.
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ARTS AND CULTURE a. The achievement of the event in terms of showcasing and developing local talent b. Provision of the event in terms of providing cultural and/or artistic experiences for the local community c. The achievement of the event in terms of fund-raising and fostering community interest and understanding.
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ARTS AND CULTURE. The Parties will encourage cooperation and exchanges between Francophones and Francophiles in all fields of art and culture, including literature, music, the performing arts, dance, the visual arts, folklore, crafts, museums, libraries, archives and heritage.
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ARTS AND CULTURE. Partner will work in collaboration with PARD, WPD and the City’s Art in Public Places (“AIPP”) program staff to deliver arts and culture vision plan(s) for the Park. Installation of art and other improvements proposed for the Park in such vision plans shall be subject to a written collection management agreement to be developed between Partner and AIPP prior to the installation by Partner of any such art or other improvements in the Park.
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